The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak FarmHope, Laura Lee
General
The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak Farm
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
The next day had been set for filming the scenes with the big gun in
them. Contrary to expectations, no pictures could be taken, as the
throwing up of the earthworks had not been finished. But a number of men
from both "armies" were set to work, and as it afforded good practice
for the militia they were called on to dig trenches, throw up ridges of
earth, and go through other needful military tactics.
The girls had no part in the scenes with the big gun, except that, later
on, they were to act as nurses in the hospital tent.
On top of the hill a force of Confederates would be stationed, and they
were to reply to the fire of the big gun. Of course, when the
projectiles struck the hill the soldiers would be a safe distance away,
but by means of trick photography scenes would be shown just as if they
were sustaining a severe bombardment.
"Is everything ready?" asked Mr. Pertell, a few days after the setting
up of the big gun, during which interval a sort of fort had been
constructed on the hill and a redoubt thrown up.
"I think so," answered Russ. "We couldn't have a better day, as far as
sunshine is concerned. I'm ready to film whenever you are."
"I'll give the word in a minute. Paul, you're in charge of a detachment
of Union soldiers that storms the hill as soon as the big gun has
silenced the battery there."
"Very well, sir."
The big gun rattled out its booming challenge and was replied to by
volleys from the rifles of the Confederates on the hill and by their
field artillery, which they hurriedly brought up.
Shot after shot was fired, and one after another the Confederate cannon
were disabled. They were blown up by small charges of powder put under
them, set off by fuses lighted by the Confederates themselves, but this
did not show in the picture, and it looked as though the Southern
battery was blown up by shots from the big gun.
"All ready now, Paul! Lead your men!" yelled the director, who was
standing near Russ and his camera. "Rush right up the hill. Stop firing
here!" he called to those in charge of the big gun.
But something went wrong, or some one misunderstood. As Paul was
charging up the hill at the head of his little band, Russ, turning his
head for an instant, saw a man about to pull the lanyard of the big gun.
"Don't shoot! Don't shoot!" he yelled. "It's aimed right at Paul and his
fellows!"
But Russ was too late. The man pulled the cord. There was a deafening
roar, a cloud of smoke, a sheet of fire, and a black projectile was sent
hurtling on its way against the hill, up the side of which Paul was
climbing with his soldiers.
CHAPTER XXI
THE BIG SCENE
Nothing could be done! No power on earth could stop that projectile now
until it had spent itself, or until it had struck something and
exploded.
Horror-stricken, those near the big gun looked across the intervening
space. How many would survive what was to follow?
The man who had pulled the lanyard sank to the ground, covering his face
with his hands.
Public-domain text, read in full here on John Shaqi.
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