The Moving Picture Girls; Or, First Appearances in Photo DramasHope, Laura Lee
General
The Moving Picture Girls; Or, First Appearances in Photo Dramas
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"No you won't," spoke Russ, encouragingly. She stood near him, and
flashed him a grateful look. "I'll be watching you," he said, "and if
I see anything wrong I'll stop in an instant, so we won't spoil any
film."
"That's good of you," she replied. "Come on, Alice."
"All right! Oh, I just know it's going to be splendid!" her sister
exclaimed. There was the flush of excitement on her cheeks, and
though she would not admit, Alice, too, was nervous. So much, she
felt, depended on this first real play--so much for herself and her
sister. It was thrilling to feel that they might be able to make a
comfortable living through the medium of the movies.
"All ready now, Russ, for this scene," called the manager, indicating
the one where Ruth and Alice were to appear. "Watch your register
closely."
"Yes, sir."
The play went on. Ruth took her part first, and the little drama was
enacted. Her father, who was in the scene with her, smiled
encouragement, and Russ nodded gaily as he continued to turn the
clicking camera.
"Now, Miss Alice!" called the manager. "Here's where you come in.
Come smiling!"
It was hardly necessary to tell Alice this, for she generally had a
smile on her face. Nor was it lacking this time.
She began her part, but in an instant the manager called:
"Wait. Hold on a minute!"
The clicking of the camera ceased instantly.
"Oh, have I done something wrong?" thought Alice, her heart beating
violently.
"Cut out what's been done so far," ordered the manager to Russ. "It
will have to be done over."
"Yes, sir," answered the operator, as he noted from the automatic
register at the side of the camera how many feet of film had been run
on the new scene. Then, when it came to be developed, it could be
eliminated. The figures also showed how much of the thousand-foot
reel was left for succeeding scenes.
Everyone was a little nervous, fearing he or she had made the
trouble, but all were reassured a moment later, when the manager
said:
"I think it will be a little more effective if Miss Alice makes her
entrance from the other side. It brings her out better. Try it that
way once, and then, if it goes, film it, Russ."
The benefit of the change was at once apparent, and after a moment of
rehearsal it was decided on. Again the camera began its clicking and
everyone breathed freely once more, Alice most of all, for failure
would have meant so much to her.
"Very good--very good," spoke the manager encouragingly, as the play
developed.
Alice and Ruth had rather difficult parts, and in one scene they held
the stage alone, "plotting" to disclose the false count. It was in
this scene that Alice had some effective work along comedy lines.
It seemed to go off very well--at least, as far as the girls could
tell. Alice, as a rather hoydenish school girl, home for the summer,
played havoc with the admirers of the romantic Ruth, who seemed to
fill the role to perfection.
Public-domain text, read in full here on John Shaqi.
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