The Moving Picture Girls; Or, First Appearances in Photo DramasHope, Laura Lee
General
The Moving Picture Girls; Or, First Appearances in Photo Dramas
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Say, Mister, I reckon you've got enough troubles of your own,
without bothering with mine," said Sandy. "Besides, maybe Pop
wouldn't like me to tell. No, I'll jest make another try somewhere
else. But we sure do need cash!"
"What for?" asked the manager, impulsively.
"Oh, maybe pop wouldn't like me to say. Never mind. It was sure good
of you to ask me for this ride. The folks at Beatonville won't
believe me when I tell 'em. But say, if ever you folks come out
there, we'll give you a right good time--at Oak Farm!" he added,
generously.
"Is your farm a large one?" asked the manager.
"Hundred and sixty acres. Some woodland, some flat, a lot of it hilly
and stony, and part with a big creek on it."
"Hum," mused Mr. Pertell. "That sounds interesting. I've been looking
for a good farm to stage several rural dramas on, and your place may
be just what I need."
"To buy?" asked Sandy, eagerly.
"Oh, no. But I might rent part of it for a time. I'll talk to you
about it later. I've got to get some of these scenes going now," and
the manager went to confer with Russ.
CHAPTER XXI
OVERHEARD
The trip down the bay on the yacht was enjoyed by all, even though
much of the time was taken up in depicting scenes from the drama.
Sandy Apgar looked on curiously while the drama was being filmed, and
when Ruth and Alice were not acting they talked to the young farmer.
They found him good-natured and rather simple, yet with a fund of
homely wit and philosophy that stood him in good stead. He described
Beatonville to them, and the farm where he and his aged parents tried
to wrest a living from nature--that was none too kind.
"I've had quite a little vacation since I come to New York," Sandy
said, "though it did take quite a bit of money. I reckon pop, though,
will be disappointed that I can't bring back with me the promise of
some cash."
"Then you need money very badly?" asked Alice.
"Yes, Miss. And I guess there ain't many farmers but what do.
Leastways, I never met any that was millionaires. Though if the folks
back home could see me now they'd think I was one, sittin' here doin'
nothin'. It sure is great!"
The girls were called away to enact some of the scenes requiring
their presence, and when they came back they found Sandy in
conversation with the manager.
The girls saw Mr. Pertell give Sandy some bills, and when the young
farmer protested, the manager said:
"Now never mind that!! You saved me more than that in stopping that
runaway horse from spoiling my film and scene. You just take it, and
when I get a chance I'll run up to your farm and look it over.
"I haven't got all my plans made yet, but I'm thinking of making a
series of plays with an old-fashioned farm as a background. Is your
place old-fashioned?" he asked.
"That's what some city folks said once, when they stopped in their
automobile to get a glass of milk," replied Sandy. "We haven't any
electric lights, nor even a telephone. So I guess we're
old-fashioned, all right."
Public-domain text, read in full here on John Shaqi.
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