The Mummy! A Tale of the Twenty-Second CenturyLoudon, Mrs. (Jane)
Science
The Mummy! A Tale of the Twenty-Second Century
Loudon, Mrs. (Jane)
Feminist fiction; Science fiction; Twenty-second century -- Fiction
At this instant Gregory awoke; his terror was not surprising. The
dried, distorted features of the Mummy looked yet more hideous than
before, when animated by human passions; and his deep hollow voice,
speaking in a language he did not understand, fell heavily upon his
ear, like the groans of fiends. Gregory tried to scream, but he could
not utter a sound. He attempted to fly, but his feet seemed nailed to
the spot on which he stood, and he remained with his eyes fixed upon
the Mummy, gasping for breath, while a cold sweat distilled from every
pore. In the mean time, Cheops had stumbled over the box containing
the apparatus for making inflammable air, and striking it violently,
had unintentionally set the machinery in motion. The pipes, tubes, and
bellows, instantly began to work; and the Indian-rubber bottle became
gradually inflated, till it swelled to an enormous magnitude, and
fluttered in the air like an imprisoned bird, beating itself against
the massive walls to which it was still attached.
"Still it goes not," cried Cheops, again stamping impatiently. The
quicksilver vapour bottle had fallen beneath his feet, and it broke as
he trod upon it. The vapour burst from it with inconceivable violence,
and tearing the balloon from its fastenings, sent it off through the
air, like an arrow darting from a bow.
CHAPTER XI.
In the mean time, Sir Ambrose Montagu had been presented to the Queen,
and the evening after his arrival in town he attended her drawing-room.
The splendour of the English Court at this period defies description.
The walls of the room in which the Queen received her guest, were
literally one blaze of precious stones, and these being disposed in
the form of bouquets, wreaths, and trophies, were so contrived as to
quiver with every movement. These magnificent walls were relieved
by a colonnade of pillars of solid gold, around which, were twined
wreaths of jewels fixed also upon elastic gold wires, so as to tremble
every instant. The throne of the Queen was formed of gold filigree
beautifully wrought, richly chased and superbly ornamented, whilst
behind it was an immense plate of looking-glass, stretching the whole
length and height of the apartment, and giving the whole the effect
of a fairy palace. The carpet spread upon the floor of this sumptuous
saloon was so exact an imitation of green moss, with exquisitely
beautiful groups of flowers thrown carelessly upon it, that a heedless
spectator might have been completely deceived by the delicacy of
their shape and richness of their colouring, and have stooped to pick
them up, supposing them to be real. The suit of rooms appropriated to
dancing was equally splendid, and fitted up in the same manner, save
that the floors were painted to imitate the effect of the carpet, and
rows of trees were placed on each side, hung with lamps. This imitative
grove was so exquisitely managed, that the spectator could scarcely
Public-domain text, read in full here on John Shaqi.
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