The Mummy! A Tale of the Twenty-Second CenturyLoudon, Mrs. (Jane)
Science
The Mummy! A Tale of the Twenty-Second Century
Loudon, Mrs. (Jane)
Feminist fiction; Science fiction; Twenty-second century -- Fiction
Father Morris, who had joined the procession of monks, was almost as
much affected as his patron. Indeed his affection for Edmund seemed
the only human passion remaining in his ascetic breast. Cold even to
frigidity in his exterior, Father Morris seemed to regard the scenes
passing around him but as the moving figures of a magic lantern, which
glittered for a moment in glowing colours, and then vanished into
darkness, leaving no trace behind:--whilst he, unmoved as the wall over
which the gaudy but shadowy pageant had passed, saw them alternately
vanish and re-appear without the slightest emotion being excited in
his mind. Under this statue-like appearance, however, Father Morris
concealed passions as terrific as those which might be supposed to
throb in the breast of a demon: though never did his self-command
seem relaxed for a moment, but when the interests of Edmund were in
question. On the present occasion, however, joy swelled in his bosom
almost to suffocation, as he raised his eyes to Heaven, and, wringing
his hands together, exclaimed, "Oh! it is too--too much!"
There is something indescribably affecting in seeing strong emotion
expressed by those who are generally calm and unimpassioned; and Sir
Ambrose, by whom this burst of feeling from his confessor was quite
unexpected, gazed at him with the utmost surprise, and, strange to
tell, though the monk had now lived nearly twenty years under his
roof, it was the first time he had seen his head completely uncovered.
Father Morris's cowl had now, however, fallen off entirely, and
displayed the head of a man between forty and fifty, whose fine
features bore the traces of what he had endured. His noble expressive
brow seemed wrinkled more by care than age, and his sable locks had
evidently become "grizzled here and there," prematurely. Sir Ambrose
gazed upon him intently, for the peculiar expression of his features
seemed to recall some half-forgotten circumstance to his mind, dimly
obscured, however, by the mist of time. The earnestness with which he
consequently regarded the monk, seemed at length to recall the latter
to himself. He started, and, whilst a deep crimson flushed his usually
sallow countenance, he hastily resumed his cowl, and appeared again to
the eyes of the spectators, the same cold, unimpassioned, abstracted
being as before.
Public-domain text, read in full here on John Shaqi.
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