The Mummy! A Tale of the Twenty-Second Century — John Shaqi
The Mummy! A Tale of the Twenty-Second CenturyLoudon, Mrs. (Jane)
Science
The Mummy! A Tale of the Twenty-Second Century
Loudon, Mrs. (Jane)
Feminist fiction; Science fiction; Twenty-second century -- Fiction
Emma obeyed, and Elvira was left alone.
Dreadfully agitated, and quite unable to compose herself or arrange
the chaos of her thoughts, she walked to the windows of the pavilion,
and, opening one of them, looked out upon the gardens. It is already
said that these delightful grounds were thrown open to the public;
but, in consequence of the ease with which they might be enjoyed,
a few half-pay officers, attorneys without clients, physicians
without patients, clergymen looking out for livings, hissed players,
disappointed authors and discarded servants, alone strolled through
their romantic walks, and paused occasionally to gaze upon the
beautiful works of art with which they were decorated. The English were
now decidedly the first sculptors in the world. Chemical preparations
alone being used to supply light and heat, smoke was unknown, and the
atmosphere being no longer thick and cloudy, marble bore exposure to
it without material injury. Besides this, perhaps no nation in the
world produced more beautiful models of male and female beauty than
England; and now that the women had long thrown off those deformers of
the human shape ycleped stays, their forms developed themselves into
perfect symmetry. Elvira, however, thought not of the gardens, nor of
the works of art they contained; yet as she stood at the window, though
absorbed in her own reflections, her eyes rested upon the exquisite
statues before her. The inanimate marble seemed endowed with soul and
spirit, whilst the graceful forms it represented seemed to pause only
for a moment, and to be ready to start again into life and action after
a short repose--in short, they appeared to breathe; and the spectator
felt almost surprised, when his eye had turned from them, to find them
still in the same attitude when he looked again.
The river was frozen, and persons glided along it in glittering
_traineaux_, or skated gracefully with infinite variety of movement;
whilst, every now and then, a steam-percussion-moveable bridge shot
across the stream, loaded with goods and passengers, collapsing again
the instant its burthen was safely landed on the other side.
Pleased with the busy scene around her, Elvira stood and gazed, till
half her troubles seemed to vanish, and a pleasing train of thought
crept over her mind. "What have I done?" thought she,--"and yet I do
not repent.--No, no! I could not act otherwise. The noble and devoted
love of Edmund deserved my warmest gratitude, and I have done right
to own the truth to him, painful as it has been to me to do so, rather
than torture his generous bosom by exciting hopes I never meant to
realize. Yes, I have done right," repeated she aloud; "and I am
perfectly satisfied with my conduct."
"Then you have reason to be contented," said the deep voice of Cheops,
immediately behind her; "for few indeed are the mortals that can say so
with justice!"
Public-domain text, read in full here on John Shaqi.
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