The Mummy! A Tale of the Twenty-Second CenturyLoudon, Mrs. (Jane)
Science
The Mummy! A Tale of the Twenty-Second Century
Loudon, Mrs. (Jane)
Feminist fiction; Science fiction; Twenty-second century -- Fiction
No one spoke; and after proceeding for some time along the narrow path,
or rather ledge, formed on the sides of the cavity, which gradually
shelved downwards, the guide suddenly stopped, and touching a secret
spring, a solid block of granite slowly detached itself from the wall,
and, rising majestically like the portcullis of an ancient fortress,
showed the entrance to a dark and dreary cave. The guide advanced,
followed by our travellers, into a gloomy vaulted apartment, where
long vistas of ponderous arches stretched on every side, till their
termination was lost in darkness, and gave a feeling of immensity and
obscurity to the scene.
"I will wait here," said the guide; "and here, if you please, you had
better leave your torches. That avenue will lead you to the tomb."
The travellers obeyed; and the guide, placing himself in a recess in
the wall, extinguished all the torches except one, which he shrouded
so as to leave the travellers in total darkness. Nothing could be now
more terrific than their situation: immured in the recesses of the
tomb, involved in darkness, and their bosoms throbbing with hopes that
they scarcely dared avow even to themselves, with faltering steps they
proceeded slowly along the path the guide had pointed out, shuddering
even at the hollow echo of their own footsteps, which alone broke the
solemn silence that reigned throughout these fearful regions of terror
and the tomb.
Suddenly, a vivid light flashed upon them, and, as they advanced, they
found it proceeded from torches placed in the hands of two colossal
figures, who, placed in a sitting posture, seemed guarding an enormous
portal, surmounted by the image of a fox, the constant guardian of
an Egyptian tomb. The immense dimensions and air of grandeur and
repose about these colossi had something in it very imposing; and our
travellers felt a sensation of awe creep over them as they gazed upon
their calm unmoved features, so strikingly emblematic of that immutable
nature which they were doubtless placed there to typify.
It was with feelings of indescribable solemnity, that the doctor and
Edric passed through this majestic portal, and found themselves in an
apartment gloomily illumined by the light shed faintly from an inner
chamber, through ponderous brazen gates beautifully wrought. The light
thus feebly emitted, showed that the room in which they stood, was
dedicated to Typhon, the evil spirit, as his fierce and savage types
covered the walls; and images of his symbols, the crocodile and the
dragon, placed beneath the shadow of the brazen gates, and dimly seen
by the imperfect light, seemed starting into life, and grimly to forbid
the farther advance of the intruders. Our travellers shuddered, and
opening with trembling hand the ponderous gates, they entered _the tomb
of Cheops_.
Public-domain text, read in full here on John Shaqi.
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