The Mummy! A Tale of the Twenty-Second CenturyLoudon, Mrs. (Jane)
Science
The Mummy! A Tale of the Twenty-Second Century
Loudon, Mrs. (Jane)
Feminist fiction; Science fiction; Twenty-second century -- Fiction
The sarcophagus was supported by the lion, emblem of royalty, the
symbol of the solar god Horus; and above it sat the majestic hawk
of Osiris, gazing upwards, and unmindful of the subtle crocodile of
Typhon, that, crouching under its feet, was just about to seize its
breast in its enormous jaws. Neither of the travellers had as yet
spoken, for it seemed like sacrilege to disturb the awful stillness
that prevailed even by a whisper. Indeed, the solemn aspect of the
chamber thrilled through every nerve, and they moved slowly, gliding
along with noiseless steps as though they feared prematurely to break
the slumbers of the mighty dead it contained. They gazed, however,
with deep but undefinable interest upon the sculptured mysteries of
the tomb of Cheops, vainly endeavouring to decipher their meaning;
whilst, as they found their efforts useless, a secret voice seemed
to whisper in their bosoms--"And shall finite creatures like these,
who cannot even explain the signification of objects presented before
their eyes, presume to dive into the mysteries of their Creator's will?
Learn wisdom by this omen, nor seek again to explore secrets above your
comprehension! Retire whilst it is yet time; soon it will be too late!"
Edric started at his own thoughts, as the fearful warning, "soon it
will be too late," rang in his ears; and a fearful presentiment of evil
weighed heavily upon his soul. He turned to look upon the doctor, but
he had already seized the lid of the sarcophagus, and, with a daring
hand, removed it from its place, displaying in the fearful light the
royal form that lay beneath. For a moment, both Edric and the doctor
paused, not daring to survey it; and when they did, they both uttered
an involuntary cry of astonishment, as the stern, but handsome,
features of the mummy met their eyes, for both instantly recognized
the sculptured warrior in his traits. Yes, it was indeed the same,
but the fierce expression of fiery and ungoverned passions depicted
upon the countenance of the marble figure, had settled down to a calm,
vindictive, and concentrated hatred upon that of its mummy prototype in
the tomb.
Awful, indeed, was the gloom that sat upon that brow, and bitter
the sardonic smile that curled those haughty lips. All was perfect
as though life still animated the form before them, and it had only
reclined there to seek a short repose. The dark eyebrows, the thick
raven hair which hung upon the forehead, and the snow-white teeth
seen through the half open lips, forbade the idea of death; whilst
the fiend-like expression of the features made Edric shudder, as he
recollected the purpose that brought him to the tomb, and he trembled
at the thought of awakening such a fearful being from the torpor of the
grave to all the renewed energies of life.
Public-domain text, read in full here on John Shaqi.
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