The mummy and Miss Nitocris : a phantasy of the fourth dimensionGriffith, George Chetwynd
Science
The mummy and Miss Nitocris : a phantasy of the fourth dimension
Griffith, George Chetwynd
Fantasy fiction; Mummies -- Fiction; Supernatural -- Fiction
She touched the spring and the cover flew up. She half-expected what she
saw. There, lying in a nest of soft black velvet, encircled by a triple
halo of whitely gleaming diamonds, was the Horus Stone. In an instant
she travelled back through fifty centuries to the scene of the
death-bridal of her other self, Nitocris the Queen, in the
banqueting-hall of the Palace of Pepi. Then it had lain gleaming on her
breast, and now she saw it again with the eyes of flesh, after nearly
five thousand years. Now, too, she grasped in all the fullness of its
evil meaning the reason why Oscarovitch had brought it to her in such an
hour as this. With utter contempt in her soul and a smile on her lips,
she leaned back in her chair and said in a voice which had a note of
ecstasy in it:
"Oh, Prince, how lovely! What a glorious gem! The diamonds are, of
course, splendid, but they are only a setting for the emerald. What a
magnificent stone! Rich as you are, you are very fortunate to be the
possessor of such a treasure--for treasure it surely must be."
"It is, as you say, a magnificent stone," he replied, looking steadily
into her questioning eyes. "But if what Amena told me was true, it is
something more than a unique gem. There is an inscription on it, some
characters carved in the stone which are, as he said, the history of it,
but to me they are as unintelligible as the Assyrian cuneiform would be.
Possibly you may know something of them. If you do, here is a lens that
will help your sight."
She took the glass from him and bent down over the gem. She read the
sacred symbol of the Trinity as she had read it and known it ages
before. But while she was gazing at it, she also read the intent of the
man who had given it into her hands. She put the lens aside, and,
laying her palms on her temples, she looked deep down into the luminous
depths of the great emerald in a silence which Oscarovitch interpreted
into such meaning as he was able to make for himself.
Minute after minute passed in silence, and still her eyes were fixed
upon the Stone. Her face became like that of a beautiful masterpiece of
Phidias: pure, cold, and true. A feeling of something like awe crept
over him as he watched her, and he found himself asking whether, after
all, Phadrig's story might have been true. But, true or not, there was
the fascination which, as Phadrig had told him, had lured Isaac Josephus
to his self-inflicted doom. Her eyes were chained to the gem: her face
was no longer that of a living woman dominated by her own will. After
all his disbelief, there _was_ an enchantment in the Stone, for here,
even she, Nitocris, had succumbed to it.
Public-domain text, read in full here on John Shaqi.
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