The mummy and Miss Nitocris : a phantasy of the fourth dimensionGriffith, George Chetwynd
Science
The mummy and Miss Nitocris : a phantasy of the fourth dimension
Griffith, George Chetwynd
Fantasy fiction; Mummies -- Fiction; Supernatural -- Fiction
The longer he looked, the more surprisingly distinct the picture became,
and, curiously enough, the less his wonder grew. He saw three men on
horseback riding at a canter up the avenue from the forest. Their
costumes showed plainly enough that they had just come back from the
chase. As they rode on they seemed to come quite close to him, until he
could see their features with perfect distinctness. By the changing
expression of their faces he could tell they were laughing and chatting;
but, singularly enough, he could not hear a word that they were saying,
which, considering the minuteness with which he saw everything, struck
him as being distinctly curious.
He watched them ride up to the old Gothic gateway in the wall which ran
round the castle, suiting itself to the irregularities of the hill. They
crossed the courtyard and dismounted. The grooms led their horses away,
and, as the big double doors opened, they went in, one of them, standing
aside for the younger of his companions but entering before the other.
In the great hall whose walls were adorned with horns and heads and
tusks, and whose floor was almost completely carpeted with skins, they
gave their weapons to a couple of footmen; and as they did so he saw the
slim and yet stately figure of a woman coming down the winding stair
which led into the hall from a broad gallery running round it. As she
reached the bottom of the stairway she threw her head back a little, and
held out both her hands towards the man who had come in second. As the
light of a great swinging lamp above the stairway fell upon her upturned
face, he recognised the Countess Hermia von Zastrow, the reigning
European beauty whose portrait in the illustrated papers, and in the
great photographer's windows, was almost as familiar as that of Queen
Alexandra.
The Count--for the handsome young hunter who now took her hands could
now be no other than the Prince of Boravia-Trelitz--raised her right
hand in courtly fashion to his lips. The other two bowed low before her,
and then she led the way up the stairs.
He saw all this as distinctly as though he had been actually present,
and yet none of the party seemed to take the slightest notice of him.
But he was getting quite accustomed to miracle-working now, and so he
accepted the extraordinary conditions of his visions, or whatever it
was, with more interest than astonishment. He followed them up the
stairs and along the right hand side of the gallery. The Count opened a
door of heavy black oak and stood aside for his Countess to enter. Again
the younger of his companions went first, and again he followed; then,
as the elder man entered and closed the door, the scene was blotted out
as though a sudden darkness had fallen upon his eyes.
Public-domain text, read in full here on John Shaqi.
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