Detective and mystery stories; Poirot, Hercule (Fictitious character) -- Fiction; Private investigators -- England -- Fiction
It was only a few steps from the theatre to the hotel. I went up to the
sitting-room, ordered a whisky and soda, and sat drinking it, staring
meditatively into the empty grate. I heard the door open, and turned my
head, thinking it was Poirot. Then I jumped to my feet. It was
Cinderella who stood in the doorway. She spoke haltingly, her breath
coming in little gasps.
“I saw you in front. You and your friend. When you got up to go, I was
waiting outside and followed you. Why are you here—in Coventry? What
were you doing there to-night? Is the man who was with you the—the
detective?”
She stood there, the cloak she had wrapped round her stage dress
slipping from her shoulders. I saw the whiteness of her cheeks under
the rouge, and heard the terror in her voice. And in that moment I
understood everything—understood why Poirot was seeking her, and what
she feared, and understood at last my own heart.…
“Yes,” I said gently.
“Is he looking for—me?” she half whispered.
Then, as I did not answer for a moment, she slipped down by the big
chair, and burst into violent, bitter weeping.
I knelt down by her, holding her in my arms, and smoothing the hair
back from her face.
“Don’t cry, child, don’t cry, for God’s sake. You’re safe here. I’ll
take care of you. Don’t cry, darling. Don’t cry. I know—I know
everything.”
“Oh, but you don’t!”
“I think I do.” And after a moment, as her sobs grew quieter, I asked:
“It was you who took the dagger, wasn’t it?”
“Yes.”
“That was why you wanted me to show you round? And why you pretended to
faint?”
Again she nodded. It was a strange thought to come to me at the moment,
but it shot into my mind that I was glad her motive was what it had
been—rather than the idle and morbid curiosity I had accused her of at
the time. How gallantly she had played her part that day, inwardly
racked with fear and trepidation as she must have been. Poor little
soul, bearing the burden of a moment’s impetuous action.
“Why did you take the dagger?” I asked presently.
She replied as simply as a child:
“I was afraid there might be finger-marks on it.”
“But didn’t you remember that you had worn gloves?”
She shook her head as though bewildered, and then said slowly:
“Are you going to give me up to—to the Police?”
“Good God! no.”
Her eyes sought mine long and earnestly, and then she asked in a little
quiet voice that sounded afraid of itself:
“Why not?”
It seemed a strange place and a strange time for a declaration of
love—and God knows, in all my imagining, I had never pictured love
coming to me in such a guise. But I answered simply and naturally
enough:
“Because I love you, Cinderella.”
She bent her head down, as though ashamed, and muttered in a broken
voice:
“You can’t—you can’t—not if you knew—” And then, as though rallying
herself, she faced me squarely, and asked:
“What do you know, then?”
Public-domain text, read in full here on John Shaqi.
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