Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
“No, he didn’t. I’ve looked up that question, but there’s nothing in it,
don’t you know. No, the really great men come from the common people.
The world doesn’t know where to look for them, but I do, and I find
’em just as I found this man. I go for my society to the aristocracy,
but for my geniuses to the democracy.”
“But if society does not produce great men, how do you hope to become
the greatest of painters?”
“Ah, painting’s a different thing, don’t you know; it has always been
the gentleman’s art. Leonardo and all of those chaps were great swells.
Rubens--or was it Titian?--one of them, anyhow, went as ambassador
to the court of Spain in great pomp. Painters have always been the
companions of kings. But I say, let us have another dance.”
Once more the dreamy waltz music mingled with the swish-swish of silken
skirts, sibilant on the polished floor. Langly nearly always lost
himself in whatever music he played, but now it merely dulled his
sorrow, and an undertone of deep grief lay beneath the frivolous harmony
that rippled so smoothly and sweetly from the piano--an undertone heard
by none save himself. Merry laughter, and now and then a whispered
phrase as the dancers swung close to where he sat, fell on his unheeding
ear, and he wished his task were done, so that he might face again the
long walk lying before him. He chided himself as being ungrateful, when
it seemed hard that at this time he should be called upon to minister
to the amusement of a pleasure-loving party; for he remembered that the
Hebrew had toiled seven years uncomplaining for the woman he loved: so
why should he grudge an afternoon, when the object was practically the
same, although hope cheered the longer task, and despair clouded the
shorter. Each in his way laboured for his love, living and dead.
The heavy hand of Barney came down boisterously on the thinly clad
shoulder of the player, and partially aroused him from his bitter
reverie.
“First rate, my boy, first rate! You’ve done nobly, and every one is
delighted--charmed!--they are indeed, I assure you. Now they’re saying
good-by, so give us a rousing march for the farewell--anything you
like--something of your own would be just the thing; you know what I
mean--a march with a suggestion of regret in it--sorry they’re going,
don’t you know.”
Public-domain text, read in full here on John Shaqi.
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