Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
He thought over the organist’s words. How could the money be his? How
had he earned the coins? His slow brain gradually solved the problem the
money evidently had come from Hope or Monkton, or perhaps from Sartwell.
He cursed the three of them, together and separate, and in his rage
once more scattered the heap to the floor. The coins whirled hither and
thither, at last spinning to rest on the bare boards. Braunt watched
them as they lay there glittering in the dim light, his mind ceasing to
cogitate on the respective culpability of employers or employed for
the state of things under which he suffered. He had formerly thought of
Monkton and Hope as purse-proud, haughty capitalists, until he saw their
cringing, frightened demeanour when escorted out of the works by the
policemen, and since that time he had been endeavouring to reconstruct
his ideas concerning them. So, after all, why should he refuse to take
money from them if one or other had sent it? He gazed at the coins on
the floor, white splotches and yellow points of light, hitching round
his chair the better to see them. He had heard that a man might be
hypnotized by gazing steadily on a silver piece held in the palm. As
Braunt watched the coins intently, he passed his hand swiftly across his
brow, concentrating his gaze by half closing his eyes. He leaned forward
and downward. Surely they were moving, edging closer to each other, the
larger heaps attracting the various atoms of metal, as he remembered,
with bewildered brain, was the case with money all the world over,
which gave a plausible cause, such as one has in dreams, for the coins
creeping together, although what was left of his reason told him that it
was all an illusion. The sane and insane sections of his mind struggled
for mastery, while Braunt leaned closer and closer over the money,
sitting forward now on the very edge of his chair, breathing hard,
almost wholly absorbed in the strange movement on the floor, and
gradually losing interest in the mental conflict regarding the reality
of what his strained, unwinking eyes told him was going on at his feet.
At last he noticed that the heap was slowly but perceptibly sliding away
from him. All doubts about the geniuneness of what he saw vanished The
money was trying to escape.
He sprang to his feet and jumped to the door, placing his back against
it.
“Oh, no,” he shouted, “you’re mine, you’re mine!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account