Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
“Indeed, you do me wrong,” said Sartwell, with a grim smile. “I consider
you of much greater value in the studio than here. I have no doubt
posterity and I will quite agree in our estimate of your labour. Artists
are few and labourers many. It would be a real disaster if our present
crisis were to interfere with your artistic work. Therefore, although
I am flattered by your generous offer of help, I could not think of
availing myself of it. No; the studio is your place, Mr. Hope.”
“It’s uncommonly kind of you, Mr. Sartwell, to say so many nice things
about my efforts, and I assure you I appreciate them, for I don’t have
too many encouragements--I don’t, I assure you. This is such a beastly
materialistic world, don’t you know. Has my father got home yet?”
“Yes; he returned last night.”
“Ah, I didn’t know that. Terribly upset, I suppose?”
“A trifle worried.”
“Naturally he would be. Well, there’s nothing I can do for you then?”
“Nothing, unless you undertake the decoration of the new factory, and
thus send it down to posterity with the Vatican frescoes. Still, that
question won’t arise for a month or two yet.”
“Quite so. I’ll think about it. Well, if you need me, you know my
address. A wire will bring me at any time.”
“It’s generous of you to stand ready to leap into the chasm in this way,
but take my advice and stick to the studio. Nevertheless, I’ll remember,
and let you know if a crisis arises with which I am unable to deal
single-handed.”
“Do,” cried Barney, again shaking hands with good-natured effusion.
“Well, good-by!”
He picked his way to the gates, and stepped into his waiting hansom, a
well-merited feeling of having answered the stern call of duty cheering
his heart as he drove away.
It was a long drive to Haldiman’s studio, and Barney, telling the cabman
he might have to wait an hour or two, dashed up the steps and rang the
bell. Being admitted, he asked if Haldiman was at home; then sprang up
the stairs, struck one startling knock on the studio door with the head
of his stick, and entered.
Haldiman stood at his easel, a black pipe in his mouth, an old jacket on
his back, and a general air about him of not having brushed his hair
for a week. A half-finished drawing in black and white decorated a great
sheet of cardboard placed on the easel.
“Hello, Barney!” he cried. “I thought that was your delicate way of
announcing yourself. You look as trim and well-groomed as a shop-walker.
Haven’t given up painting and taken to that line, have you?”
“No, old man, I haven’t!” shouted Barney, slamming the door behind him
and coming into the room like a cyclone. “And I’m not trim, for I have
just had a railway journey, and went from Charing Cross to the works,
and from the works here. I’ve had no time to go to the club and make
myself pretty; I was in too much of a hurry to see you. So don’t be
sarcastic, Haldiman.”
Public-domain text, read in full here on John Shaqi.
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