Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
“Combination,” he began, “is the natural consequence of the modern
conditions of labour. A workingman of to-day may be likened to a single
pipe in a large organ. He can sound but one note. He spends his life
doing part of something. He does not begin any article of commerce, go
on with it, and finish it, as did the workmen of former days; he merely
takes it from a fellow-workman who has put a touch on it, puts his own
touch on it, and passes it on to another; and thus the article travels
from hand to hand until it reaches the finisher. The workman of to-day
is merely a small cog on a very large wheel, and so, if he does not
combine with his fellows, he is helpless. The workman of former times
was much more independent. He began his work and completed it. If he was
a cooper, he made the whole barrel, hooping it and heading it. If one
of us may be compared to a single pipe in an organ, the workman of
yesterday might be likeened to a flute, on which a whole tune could be
played. He----”
“Ah, chuck it!” cried a disgusted man in front. “We don’t want no
philosophy; we wants strike pay or master’s pay.”
“’Ear, ’ear!” rang through the hall; the interrupter quite evidently
voicing the sentiment of the meeting. Gibbons stood for a second or two
looking at them.
“Yes,” he cried, his voice like a trumpet call, “I _will_ chuck it. This
is not the time for philosophy, as our friend said; it is the time to
act. When a man strips to fight, what does he expect?”
“A d----d good thrashing,” was the unlooked-for reply.
It is never safe for an orator to depend on his audience for answers to
his questions; but the laugh that went up showed Gibbons that the crowd
was getting into better humour, which was what he most desired.
Public-domain text, read in full here on John Shaqi.
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