The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
A colossal engineering problem arose because the Palazzo Fiano rested
upon wooden piles driven into the water which in this part of Rome
underlies most of the buildings. These piles, and reinforcements to
them, pinned down some of the marble blocks of the altar itself. To get
the blocks out by ordinary methods, even if the water level had made
it possible, would have caused the collapse of the building. Previous
excavators had resorted to driving narrow, damp, dark tunnels, with
incomplete results. Moretti resolved on more heroic measures; the
solution is a credit to modern Italian engineering. The weightiest and
worst-supported part of the palace lay directly over the altar; there
were deep splits in the palace walls; only the extraordinary tenacity
of the _pozzolana_ mortar held them together. With infinite capacity
for taking pains, the damaged parts of the walls were taken down and,
by injection of liquid concrete, restored segment by segment, brick by
brick. (The Italians call this process _cuci e scuci_, sew and unsew.)
The subsoil was so uneven in profile and so soaking wet that a new
masonry substructure was impossible. Moretti, in consultation with
his engineers, determined to shift the weight of the palace wall onto
a sort of enormous sawhorse or _cavaletto_ (Fig. 6.6) of reinforced
concrete. Holes were drilled sixty-five feet to a firm footing and
filled with concrete; on this were built concrete piers to support the
legs of the sawhorse. Between each pier and the corresponding leg was
inserted a hydraulic jack (_martinetto_) adjustable to suit the various
stresses exerted by the bearing walls. A grid of steel girders ran from
pier to pier for reinforcement.
[Illustration: FIG. 6.6 Rome, Altar of Peace. Plan showing how corner
of Palazzo Fiano was supported and a dike frozen around the remains of
the altar. (G. Moretti, _Ara Pacis Augustae_, Pl. 36)]
Public-domain text, read in full here on John Shaqi.
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