The figured upper panels on the enclosure’s outer face are the most interesting part of the monument. On the north and south faces a procession moves westward. It is imagined as turning the corner of the enclosure and entering the west doorway to sacrifice at the altar. The heads on the north side were heavily restored in the Renaissance, but the fasces, the laurel crowns, the senatorial shoes and rings, the cult objects carried make it clear that the procession is of magistrates and priests. The south side, which faced the city, must have been considered the most important half, and here, indeed, many historical figures of Augustus’ family and court have been identified. It is noteworthy how the division of the friezes into dynastic and non-dynastic halves parallels the arrangement of the Hall of Fame in Augustus’ Forum. The face in the upper right corner of the fragmentary left panel in Fig. 6.10, though cracked badly across the eye (for the whole weight of the Palazzo Fiano rested upon it for centuries), is recognizable from other portraits, from what remains of the profile, and from the treatment of the hair, as Augustus himself. The figures in the spiked caps to the far right are _flamines_, priests of Jupiter and Mars. The figure second to the left of the first _flamen_, all by himself in the background, is a spectator, the very type of the old Republican Roman. Lictors with the fasces precede the figure to the spectator’s left of Augustus. This figure, then, must be the consul of the year, with the other consul on the other side of the Emperor.