The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
Boards in the bottom of the hold were removable to facilitate cleaning
out the bilge. This was done with an endless belt of buckets, some of
which were found, and are on display, restored, in the museum. Over the
ribs of the hull was pine planking, then a thin coating of plaster,
then a layer of wool treated with tar or pitch, finally lead sheathing
clinched with large-headed copper nails.
The second ship had outriggers supporting a platform for the oarsmen,
and a bronze taffrail decorated with herms--miniature busts tapering
into square shafts. A number of mechanical devices of great technical
interest was found: pump-pistons; pulleys; wooden platforms (use
unknown), one mounted on ball-bearings, another on roller-bearings; a
double-action bronze stem-valve (perhaps for use in pumping out the
bilge), which had been welded at a high temperature (1800° Fahrenheit);
anchors, one with the knot tied by a Roman sailor still intact,
another with a moveable stock, anticipating by over 1800 years a
similar model patented by the British Admiralty in 1851. Its use is to
cant the anchor, giving it a better bite in the mud.
In 1944 the retreating Germans wantonly burned the ships in their
museum. Their gear, stored in a safe place, survived. From careful
drawings made at the time the ships were raised, models were made to
one-fifth scale. They are now on display in the restored museum.
The ships did not contain within themselves clear evidence about
what they were used for. Whether they had some religious purpose
in connection with the nearby Temple of Diana, or were used as
pleasure-craft, or both, they reflect, like the cave at Sperlonga, the
mad extravagance which increasingly characterized the Roman Empire on
its road to absolutism.
* * * * *
In 1917, on Rome’s birthday, April 21, a landslip beside the
Rome-Naples railway line outside the Porta Maggiore revealed, forty-two
feet beneath the tracks, a hitherto unsuspected and most remarkable
underground, vaulted, stucco-ornamented room, the so-called “basilica,”
which will serve as a third example of archaeology’s contribution
to our knowledge of the Julio-Claudian age. To protect the basilica
against damage from seepage and vibration from trains--240 a day
pass directly above it--it was enclosed in 1951–52, at a cost of
over $500,000, in a great box of waterproof reinforced concrete with
footings anchored nearly twenty-four feet beneath the level of the
basilica pavement.
[Illustration: FIG. 7.8 Rome, subterranean basilica at Porta Maggiore,
general view.
(Fototeca)]
Public-domain text, read in full here on John Shaqi.
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