The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
hotels near the excavation entrance.) The ground floor plan (Figs.
8.4 and 8.5) of that house shows two dwellings thrown into one. The
smaller, on the left, has typical features: its vestibule leading to an
_atrium_ or patio off which open a summer and a winter dining room and
a light-well planted with flowers and shrubs. The winter dining-room
is frescoed in glossy black; it has a vaulted, coffered ceiling, and
a high window closed by a shutter planned to slide into the wall.
The usual peristyle, or rectangular portico behind the _atrium_, is
missing, its function supplied by the loggias on the upper floor and
the large sunken garden behind the larger house. The garden was planned
as a little grove sacred to Diana. Her statue was found in the middle
of the garden, with a little bronze incense-burner in the shape of a
ram still in place on its pedestal, and large trees planted around it.
The pleasant summer dining room fills the garden’s southwest corner. In
it the marble-topped table was found set for a meal or sacrifice (Fig.
8.6). In the corner was a brazier and a pitcher for hot water. Three
couplets painted on the wall prescribed etiquette for the diners,
and give the house its name: “Don’t put your dirty feet on our couch
covers; if you bicker at table you’ll have to go home; be modest and
don’t make eyes at another man’s wife.” There was a dumb-waiter to
serve the pleasant loggias on the upper floor overlooking the garden.
The pointed jars, amphorae, in the basement, suggest that the Moralist
was a wine merchant. A stamp found there gives his name: Gaius Arrius
Crescens. Election notices painted on the house front show that he and
his family were up to their ears in local politics.
Public-domain text, read in full here on John Shaqi.
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