The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
With Hadrian an era ends. Juvenal, who wrote during his reign, is the
last secular classical Latin poet of importance. Hadrian’s successor,
Antoninus Pius (A.D. 138–161) was modest and plain-living where Hadrian
had been flamboyant and extravagant. The autobiography (written in
Greek) of _his_ successor, Marcus Aurelius (161–180), is throughout
a tacit criticism of Hadrian: his boy-love, his architecture, his
dilettantism. Marcus Aurelius’ son and successor, Commodus (180–192),
was a monstrous megalomaniac beside whose excesses those of Caligula,
Nero, or Domitian pale into insignificance. The next dynasty, the
Severi (193–235), founded a military absolutism which degenerated into
anarchy (235–284). Under Diocletian (284–305) absolutism is intensified
and grows more rigid. Under Constantine (306–337) the Empire’s creative
center shifts to Constantinople (old Byzantium made new, in the Greek
east), a new religion triumphs, and the story of Christian archaeology
begins. True, the two centuries from Hadrian through Constantine are
represented by some of Rome’s most impressive surviving monuments: the
Temple of Antoninus and Faustina, the Column of Marcus Aurelius, the
Arches of Septimius Severus and of Constantine, the Baths of Caracalla
and Diocletian, Aurelian’s Wall, and the Basilica of Maxentius. But,
artistically, many of these are derivative; _e.g._, Marcus Aurelius’
Column imitates Trajan’s; Constantine’s arch incorporates reliefs from
earlier, more creative reigns. Yet while the artistic impulse flickers
and dies, Roman skill in military and civil engineering, as exemplified
in baths and aqueducts, roads and walls, continues unabated.
12
Roman Engineering
In this chapter strict chronology must be violated, and steps retraced,
to discuss in specific detail something of what archaeology has to tell
us about the most practical aspect of the Romans’ genius: their talent
for engineering. This is best exemplified in roads, baths, aqueducts,
and fortification-walls.
We have reached in our historical survey the end of Hadrian’s reign,
A.D. 138. By this date the main lines of the great consular roads
leading from Rome had all been laid down, and later Emperors faced only
the problems of maintenance, till the barbarians cut Rome’s lines of
communication, and the moving of the administrative center to Milan,
Ravenna, and Constantinople reduced their importance. The most recent
archaeological investigation of Roman roads in Italy has concentrated
on tracing the lines of major and minor Roman highways and the native
tracks that preceded them, a work of great urgency, in view of the
modernization which is rapidly changing the face of Italy, especially
in the vicinity of Rome.
Public-domain text, read in full here on John Shaqi.
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