The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
in such public enterprise, with no return in income or local employment
commensurate with the capital involved. So one major conclusion from
Ashby’s and Miss Van Deman’s work is that the Romans were better
engineers than they were economists. Let the last word on aqueducts be
Pliny the Elder’s: “If one takes careful account of the abundant supply
of water for public purposes, for baths, pools, channels, houses,
gardens, suburban villas; the length of the aqueducts’ courses--arches
reared, mountains tunnelled, valleys crossed on the level--he will
confess that there has never been a greater marvel in the whole world.”
* * * * *
One of the latest pieces of Roman engineering, to a knowledge of which
archaeology has recently contributed, is Aurelian’s Wall. It has
been meticulously studied by a pupil of Ashby’s, I. A. Richmond, now
Professor of Archaeology of the Roman Empire at Oxford. Two-thirds of
it is still standing (Fig. 12.10), to the disgust of those interested
in the unimpeded flow of Rome’s traffic, to the delight of those in
love with Rome’s past. It was twelve miles long, twelve feet thick,
sixty feet high; it had 381 towers, each with a latrine, and eighteen
portcullised gates, nine of which survive (Fig. 12.11). Though the
Renaissance humanist Poggio Bracciolini had examined the wall as
early as 1431, and the Frenchman Nicholas Audebert had studied it
scientifically in 1574, Richmond was still able to make important
contributions. He emphasizes, for example, that one-sixth of the
wall incorporated buildings: tombs, houses, park walls, aqueducts,
cisterns, porticoes, an amphitheater, a fortress. The inference is that
the wall had to be built with speed and economy, in the face of the
threat of barbarians in north Italy and a depleted treasury. Strategic
reasons, of course, dictated the protection of the aqueducts. The use
of tombstones as latrine covers shows, says Richmond, that the wall
builders “had their religious scruples under excellent control.” It was
a sense of urgency and not solicitude for works of art that prompted
them, when they built a garden wall at Porta San Lorenzo into the
circuit, to leave the statues in their niches and pack them round with
clay.
[Illustration: FIG. 12.10 Rome, Aurelian’s Wall, from south, near Porta
Appia.
(H. Kähler, _Rom und seine Welt_, Pl. 252)]
[Illustration: _Aurelian’s Wall and Major Monuments_
LEGEND
_Roads and Gates_
I Porta Pinciana--Via Salaria
II Porta Salaria
III Porta and Via Nomentana
IV Porta and Via Tiburtina
V Porta Praenestina (Maggiore): major aqueduct junction; Via
Praenestina
VI Porta Asinaria--Via Tusculana
VII Porta and Via Latina
VIII Porta and Via Appia
IX Porta and Via Ostiensis
X Porta and Via Portuensis
XI Porta Aureliana (S. Pancrazio); Aquae Alsietina and Traiana; Via
Aurelia
XII Porta and Via Flaminia
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