One had been used as a marble roof-tile of Hadrian’s Pantheon; it was in the Vatican collection. Another was found in a vineyard near Rome’s north gate, the Porta del Popolo. The former immortalized one Lucius Albinius, who took the Vestal Virgins in his wagon to Caere for safety when the Gauls were threatening Rome in 390 B.C. The latter was of Sulla’s great rival Marius, the friend of the people. The dimensions, letter-heights, and letter-styles of both made their origin in Augustus’ Forum extremely likely. A set of seven more had been known since the seventeenth century or earlier as coming from the site of the Forum of Arezzo, ancient Arretium, in Tuscany. The texts of some of these turned out to be copies of _elogia_ from the Forum of Augustus. This justified the inference that in this matter of a Hall of Fame, provincial cities imitated the metropolis. Thus those _elogia_ from Arezzo for which no Roman prototype had been found might yet give a clue to what the Roman collection had once contained. This inference enriches the list by the names of Manius Valerius Maximus, conciliator of class struggles, and Rome’s first dictator (494 B.C.); Lucius Aemilius Paullus, one of the greatest _triumphatores_ of them all, who beat the Macedonians at Pydna in 168 B.C., and symbolized the union of Roman traditions with Hellenism, as Augustus aspired to do; Tiberius Sempronius Gracchus, father of the reforming Gracchi; and Sulla’s lieutenant Lucius Licinius Lucullus, whose brother was responsible for the terraces and hemicycles at Palestrina.