We have the phonograph in the second dog-watch every other evening in this fine weather. On the alternate evenings this period is Mr. Pike’s watch on deck. But when it is his evening below, even at dinner, he betrays his anticipation by an eagerness ill suppressed. And yet, on each such occasion, he punctiliously waits until we ask if we are to be favoured with music. Then his hard-bitten face lights up, although the lines remain hard as ever, hiding his ecstasy, and he remarks gruffly, off-handedly, that he guesses he can play over a few records. And so, every other evening, we watch this killer and driver, with lacerated knuckles and gorilla paws, brushing and caressing his beloved discs, ravished with the music of them, and, as he told me early in the voyage, at such moments believing in God. A strange experience is this life on the Elsinore. I confess, while it seems that I have been here for long months, so familiar am I with every detail of the little round of living, that I cannot orient myself. My mind continually strays from things non-understandable to things incomprehensible—from our Samurai captain with the exquisite Gabriel voice that is heard only in the tumult and thunder of storm; on to the ill-treated and feeble-minded faun with the bright, liquid, pain-filled eyes; to the three gangsters who rule the forecastle and seduce the second mate; to the perpetually muttering O’Sullivan in the steel-walled hole and the complaining Davis nursing the marlin-spike in the upper bunk; and to Christian Jespersen somewhere adrift in this vastitude of ocean with a coal-sack at his feet. At such moments all the life on the _Elsinore_ becomes as unreal as life to the philosopher is unreal. I am a philosopher. Therefore, it is unreal to me. But is it unreal to Messrs. Pike and Mellaire? to the lunatics and idiots? to the rest of the stupid herd for’ard? I cannot help remembering a remark of De Casseres. It was over the wine in Mouquin’s. Said he: “The profoundest instinct in man is to war against the truth; that is, against the Real. He shuns facts from his infancy. His life is a perpetual evasion. Miracle, chimera and to-morrow keep him alive. He lives on fiction and myth. It is the Lie that makes him free. Animals alone are given the privilege of lifting the veil of Isis; men dare not. The animal, awake, has no fictional escape from the Real because he has no imagination. Man, awake, is compelled to seek a perpetual escape into Hope, Belief, Fable, Art, God, Socialism, Immortality, Alcohol, Love. From Medusa-Truth he makes an appeal to Maya-Lie.”