The Mysteries and Miseries of San Francisco: Showing up all the various characters and notabilities, (both in high and low life) that have figured in San Franciso since its settlement.A Californian
General
The Mysteries and Miseries of San Francisco: Showing up all the various characters and notabilities, (both in high and low life) that have figured in San Franciso since its settlement.
A Californian
San Francisco (Calif.) -- Fiction
‘Heaven’s smile repay that word,’ I exclaimed fervently; ‘the weight
which pressed me to the earth is removed, and all around me breathes
ecstasy.’
‘It delights me to hear thee say so, my dearest Clara,’ replied the
earl, ‘go, sweetest, and put on your richest dress to celebrate this
joyous day.’
‘That day,’ I added, with enthusiasm, ‘that day which gives me back to
honor. It shall be done, my lord.’
The earl kissed me affectionately, and left the room; and once more a
cheering hope brought consolation to my heart, and assured me of future
happiness and joy. Alas! how soon was I to be awakened to the greatest
agony! To more misery than I had ever before experienced.
The festivities of the day passed off most brilliantly until the play
commenced. The gardens in which it took place were brilliantly
illuminated, and the temporary theatre was formed among the trees in the
back. Just as the performances were about to commence, a servant entered
and delivered to the earl a letter, upon perusing the contents of which,
he excused himself to me and the numerous guests, it being necessary
that he should be absent for a short time; but he begged that his
absence might not interrupt their pleasure, as the village actors would
amuse them with their humble efforts; and ere they had ended, he would
return.
When the earl had gone, I beckoned Celia over to me, and the play
immediately commenced; but what were my feelings of intense agony as it
proceeded, when I perceived that the plot, and every incident of the
piece, so corresponded with my own circumstances, that it seemed as if
they had actually chosen me to sketch the heroine from. A nobleman wooed
a peasant girl; he vowed the most unbounded affection for her;—promised
her marriage, if she would but elope with him;—she was persuaded;—she
sunk senseless in his arms, and was conveyed away.
During the time the piece was being played, my anguish was
insupportable, and I was so worked upon by the power of each scene, that
I could scarcely persuade myself but that it was reality.
‘Fatal resemblance,’ I ejaculated, at the passage where the seducer
bears his victim away; ‘has there before been such another deluded
being?’
‘Be calm, dear mistress, be calm,’ said Celia, ‘it is only a play.’
But my thoughts were too intently fixed upon the scene which followed,
to pay any particular attention to her words. The parents of the
betrayed one, as represented in the piece, upon hearing the screams of
their daughter, rushed on to the stage, the father demanding of his wife
the meaning of the alarm, and the cause of the cries he had heard. The
mother looking round, and finding that her daughter was not there,
exclaimed:—
‘My child! my child!—A mere pretence—our darling—lost—escaped! Ah!
there! there! behold the seducer bearing her away!’
Public-domain text, read in full here on John Shaqi.
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