The Mysteries of All Nations: Rise and Progress of Superstition, Laws Against and Trials of Witches, Ancient and Modern Delusions Together with Strange Customs, Fables, and TalesGrant, James (Archaeologist)
History
The Mysteries of All Nations: Rise and Progress of Superstition, Laws Against and Trials of Witches, Ancient and Modern Delusions Together with Strange Customs, Fables, and Tales
Grant, James (Archaeologist)
Occultism; Superstition; Trials (Witchcraft)
was experienced in heating the room in which the figures of the man
and two boys had appeared, as the stove not only smoked, but emitted
an offensive smell. Having procured the assistance of a tradesman to
make an inspection, he discovered in the inside, at the farthest
extremity, the bones of two small human bodies, corresponding exactly
in size, as well as in other respects, with the description of the two
boys who had been seen at the parsonage.
Mozart, the celebrated composer, was extremely apprehensive of death,
and at all times he laboured under profound melancholy. The
circumstances attending the composition of his last piece were
remarkable. One day, when his spirits were unusually depressed, a
stranger, of a tall dignified appearance, was introduced. His manners
were grave and impressive. He told Mozart that he came to request he
would compose a solemn mass, as the requiem for the soul of a friend
recently lost, and whose memory he was desirous of commemorating by
this solemn service. Mozart undertook the task, and engaged to have it
completed in a month. The stranger immediately paid a hundred ducats
for the piece, and departed. This visit, somehow, had a serious effect
on the mind of Mozart. He brooded over it for some time, then,
suddenly calling for writing materials, began to compose with
extraordinary ardour. Severe application to his studies brought on
fainting fits, and failing health compelled him to suspend his work.
"I am writing this requiem for myself," said he abruptly; "it will
serve for my funeral service." This impression never left him. At the
expiration of the month the mysterious stranger appeared, and demanded
the requiem. "I have found it impossible," said Mozart, "to keep my
word; the work has interested me more than I had expected, besides I
have extended it beyond my first design. I shall require another month
to finish it." The stranger made no objection, but, observing that for
this additional trouble it was but just to increase the price, laid
down fifty ducats more, and promised to return at the time appointed.
Astonished at the stranger's proceeding, Mozart ordered a servant to
follow the singular person, to find out who he was. The servant,
however, lost sight of him, and returned unable to communicate the
desired information. Mozart, persuaded that the stranger was a
messenger from the other world sent to warn him that his end was fast
approaching, applied himself with fresh zeal to the requiem, and, in
spite of the exhausted state of his body and mind, completed it before
the expiration of the month. On the day named the stranger returned,
but Mozart was no more.
Public-domain text, read in full here on John Shaqi.
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