The Mysteries of London, v. 1/4Reynolds, George W. M. (George William MacArthur)
General
The Mysteries of London, v. 1/4
Reynolds, George W. M. (George William MacArthur)
London (England) -- Fiction; Penny dreadfuls
Reassured by remarks of this nature, and warmed by the generous
friendship displayed towards him by the Republican writer, Markham's
countenance again wore a smile; and he felt more at ease than he had
done ever since his misfortune. The presence of one who took an interest
in his welfare--the prospect of enjoying pleasant society--and the idea
of change of scene, combined to elevate his spirits and create new hopes
in his breast. He began to think that he was not altogether the
solitary, deserted, and sorrow-doomed being he had so lately considered
himself.
It was about four o'clock in the afternoon that the phaeton, in which
rode Markham and his friend the Republican, entered a spacious
shrubbery, through which a wide avenue led to the front-door of a very
beautiful country residence near Richmond. The dwelling was not large;
but its external appearance seemed to bear ample testimony to its
interior comfort.
A domestic, in a plain and unpretending livery, appeared at the door the
moment the phaeton stopped; and the count himself met his visitors in
the hall, to welcome their arrival.
The nobleman shook hands with Armstrong in the most cordial manner; and,
when Richard was introduced to him, he received him with a courtesy and
warm affability which showed how much any friend of Armstrong's was
valued by the Italian exile.
The guests were ushered into the drawing-room, where the countess and
her daughter, and two gentlemen who were also visitors, were seated.
But while we allow Richard time to get acquainted with the family of the
Italian noble, we must give the reader a brief description of the new
characters now introduced upon the stage.
Count Alteroni was about forty years of age. His hair and whiskers,
originally of a deep black, were tinged prematurely with grey; but his
moustachios were of the darkest jet. His complexion was of a clear
olive. In figure he was tall, well formed, and muscular, though slight.
His countenance was expressive of great dignity--one would almost say of
conscious superiority; but this softness of aspect and the nobility of
demeanour which distinguished him, failed to produce any unpleasant
impression, inasmuch as every one who approached the count was charmed
by the affability of his manners and the condescending kindness of his
tone.
The countess was about two years younger than her husband, and was of a
complexion and cast of countenance which denoted her northern origin. In
fact, she was a German lady of high birth; but she spoke Italian,
French, and English with as much facility as her own tongue.
Public-domain text, read in full here on John Shaqi.
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