The Mysteries of London, v. 4/4Reynolds, George W. M. (George William MacArthur)
General
The Mysteries of London, v. 4/4
Reynolds, George W. M. (George William MacArthur)
London (England) -- Fiction; Penny dreadfuls
sternness of purpose, amounting almost to implacability. She was not
above the middle height; and her carriage was more commanding than
graceful:--at the same time, it would have struck a beholder that were
she attired in a befitting manner, her gait and gestures would have
been characterised by nothing positively inelegant.
The reader will perceive that great, in many respects, was the contrast
between the mother and daughter--for in such close relationship did the
two females stand to each other: but in some points there was a marked
resemblance. For instance, the countenances of both indicated strong
passions and indomitable resolution;--both were totally devoid of all
moral principle, though they could simulate the sanctity of anchorites
to suit their purposes or serve their interests;--and both could be
implacable enemies, while friendship was a mere name with them at which
their lips would curl into a sneer.
In spite of her natural energies and the somewhat substantial remains
of physical strength, the old woman dragged herself slowly and
painfully along the road towards London; while her daughter exhibited
scarcely less evident symptoms of fatigue--approaching almost to total
exhaustion.
“Perdita,” said the harridan, suddenly breaking a silence that had been
of long duration,--“Perdita,” she repeated, “we cannot reach London
this night: it will be impossible,--I feel it will be impossible.”
“Then we must lie down by the road-side and perish with hunger,”
answered the young woman, who bore, it seemed, the singular Christian
name of _Perdita_.
We have above spoken of contrasts and resemblances in respect to these
two females, who are destined to play no unimportant part in the
forthcoming chapters of our narrative;--but we must pause to observe
that it would be impossible to conceive a greater discrepancy in tones
than that which marked the voices of mother and daughter.
The voice of the old woman was masculine--hoarse--disagreeable--and
grating to the ear; and although she spoke the English language with
the most grammatical punctuality, and there was nothing positively
vulgar in her manner of speech, yet the impression it seemed calculated
to produce upon a stranger was singularly unpleasant. On the other
hand, the whole sphere of harmony has known nothing more melodious than
the voice of Perdita,--a voice which was capable of many modulations,
each characterised by a charm peculiar to itself; for whether she were
speaking in indignation--or in softness,--in outbursting passion--or in
dogged ill-humour,--still were the tones of that voice metallic, rich,
and flowing.
“The heartless wretches!” exclaimed the old woman, again breaking
an interval of silence,--“to thrust us on shore at Deal with only a
shilling in our pockets!”
“This is not the least hardship we have ever endured, mother,” said
Perdita, rather in a tone of remonstrance than consolation. “For my
part, I have scarcely ever seen any thing but privation and misery----”
Public-domain text, read in full here on John Shaqi.
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