The Mysteries of London, v. 4/4Reynolds, George W. M. (George William MacArthur)
General
The Mysteries of London, v. 4/4
Reynolds, George W. M. (George William MacArthur)
London (England) -- Fiction; Penny dreadfuls
At about nine o’clock in the morning the immediate vicinity of the
Court begins to wear a very business-like appearance: that is to say,
both sides of the street are thronged with the most curious specimens
of human nature which it is possible to encounter outside of Newgate
or of the Bench. The wonder is whence such a host of ill-looking
fellows can have sprung, or whither they can be going, unless it is to
either of the two places just named. Then comes the natural question,
“But who are they?” The answer is at hand: some are the turnkeys of
the County Prisons and the tipstaves of the Bench, having in their
charge prisoners about to be heard at the Court,--others are the usual
hangers-on and errand-seekers who are always to be found lurking about
such places,--while a third set are the friends or else the opposing
creditors of the Insolvents. The public-house opposite the Court, and
the one at the side are also filled with persons of those descriptions;
and before ten o’clock in the morning many pots of porter are disposed
of--many quarterns of gin dispensed in two or three “outs”--and many
screws of tobacco puffed off in smoke.
Inside the Court, business commences in somewhat a more serious manner.
Four or five barristers take their places in a large box divided into
two compartments like pews in a church: a couple of Commissioners seat
themselves on a bench made in very humble imitation indeed of those in
the Courts at Westminster;--a single reporter lounges into the snug
crib so kindly allotted to the representatives of the press;--several
attorneys and attorneys’ clerks gather round the table between the
counsel’s seats and the bench:--the Insolvents are penned up altogether
in a sort of human fold on the right as you go into the tribunal;--and
at the back a crowd of unwashed faces rise amphitheatrically in the
compartment appropriated to the audience. The Commissioners endeavour
to look as much like the Judges of the Land as possible;--the
barristers affect all the consequence and airs of Serjeants-at-Law or
King’s Counsel;--the Insolvents try to seem as happy as if they had
nothing awkward in their schedules to account for;--and the spectators
raise heaven and earth to appear respectable: but each and all of
these attempts are the most decided failures which it is possible
to conceive. A general air of seediness pervades the place: the
professional wigs are dirty and out of curl, and the forensic gowns
thread-bare;--and the disagreeable impression thus created on the mind
of the visitor, is enhanced to no trifling degree by a sickly smell of
perspiration combined with the stale odour of tobacco smoke retained in
the garments of the audience.
Amongst the Insolvents were two individuals whose appearance formed a
most striking contrast. These were Mr. Joshua Sheepshanks and Mr. Frank
Curtis.
Public-domain text, read in full here on John Shaqi.
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