The Mysteries of Modern LondonSims, George R. (George Robert)
History
The Mysteries of Modern London
Sims, George R. (George Robert)
Criminals -- England -- London; London (England) -- History
But in this quiet home she is being cared for and tended, and
noble-hearted women are waiting and hoping for the moment when she can
be given the chance of a better life.
In the pocket of the dress she wears there are two letters carefully
wrapped up in thick paper to preserve them. They are the last letters
her murderer lover wrote her. She will treasure them all her life.
If in the early days of the trial we could have removed the wall of the
prison in which the man was confined we should have seen him scratching
the girl's portrait on the door of his cell with the point of a common
pin, and labelling her with a word that expressed his anger against
her for telling the truth about him when she fell into the hands of the
police.
He is dead, but behind the grey walls upon which we are gazing to-day is
the life tragedy of the girl he left behind him.
CHAPTER XIX--THE SOCIAL MASK
_Masks with a purpose--For the sake of their daughter--A murderer's
smiling mask--Waiting for the convict son--A secret from his
wife--Beaten in a fight with fate_
|THERE is a mask that most of us wear occasionally. It is not always
politic to show ourselves to the world exactly as we are. People of the
highest respectability, of the most irreproachable honour, find the same
difficulty in avoiding the occasional use of the social mask that the
good bishop found in systematically avoiding the evasive answer.
The smile with which you greet an acquaintance who calls upon you when
his visit is most inconvenient is a social mask; so is the admiration
you express for the "dear little children" of your hostess when they are
worrying you to death.
But that is not quite the social mask that I have in mind at the present
time. I propose to deal rather with the men and women who wear
the social mask to conceal from the world something of far greater
importance than dislike, contempt, or weariness.
The social mask of wealth is often worn to conceal poverty; of
extravagance to conceal bankruptcy; of love to conceal hatred; of gaiety
to conceal grief; of innocence to conceal guilt.
If something happened which compelled the social mask to be laid aside
by all our acquaintances, the revelation would astonish us; for it is
worn in every rank of life and by all sorts and conditions of men and
women.
Only in the home--sometimes only when the door of the room in which the
wearer can be alone is locked--is the mask laid aside.
The husband may wear it for years in the presence of his wife; the wife
may wear it in the presence of the husband.
Both wear a mask unsuspected by the other until the day that death
dissolves their union.
There died not long ago a man who was universally esteemed and
respected. He was looked upon as a model husband and father. His married
life had been unclouded by a domestic care. His widow in her time of
grief spoke of him as the truest, kindest husband that ever a woman had.
Public-domain text, read in full here on John Shaqi.
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