The Mysteries of Paris, illustrated with etchings, Vol. 1Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 1
Sue, Eugène
Paris (France) -- Fiction
Sarah rose. It was requisite to cross the circle to reach the place
where the princess was seated, who was anxious most kindly to destroy
the rumour that was circulated, and, by the simple fact of thus crossing
the room, confound her calumniators, and prove triumphantly that the
fair proportions of her protégée had lost not one jot of their symmetry
and delicacy. Alas! the most perfidious enemy could not have devised a
better plan than that suggested by the worthy princess in her desire to
defend her protégée. Sarah came towards her, and it required all the
deep respect due to the Grand Duchess to repress the murmur of surprise
and indignation when the young lady crossed the room. The
nearest-sighted persons saw what Sarah would no longer conceal, for her
pregnancy might have been hidden longer had she but have chosen; but the
ambitious woman had sought this display in order to compel Rodolph to
declare his marriage. The Grand Duchess, who, however, would not be
convinced in spite of her eyesight, said, in a low voice, to Sarah:
"My dear child, how very ill you have dressed yourself to-day,--you,
whose shape may be spanned by ten fingers. I hardly know you again."
We will relate hereafter the results of this discovery, which led to
great and terrible events. At this moment, we will content ourselves
with stating, what the reader has no doubt already guessed, that
Fleur-de-Marie was the fruit of the secret marriage of Rodolph and
Sarah, and that they both believed their daughter dead.
It has not been forgotten that Rodolph, after having visited the house
in the Rue du Temple, had returned home, and intended, in the evening,
to be present at a ball given by the ---- ambassadress. It was to this
fête that we shall follow his royal highness, the reigning Grand Duke of
Gerolstein, Gustavus Rodolph, travelling in France under the name of the
Count de Duren.
CHAPTER XXVI.
THE BALL.
As the eleventh hour of the night sounded from the different clocks in
Paris, the gates of an hôtel in the Rue Plumet were thrown open by a
Swiss in rich livery, and forthwith issued a magnificent dark blue
Berlin carriage, drawn by two superb long-tailed gray horses; on the
seat, which was covered by a rich hammercloth, trimmed with a mossy silk
fringe, sat a portly-looking coachman, whose head was ornamented by a
three-cornered hat, while his rotund figure looked still more imposing
in his dress livery-coat of blue cloth, trimmed up the seams with silver
lace, and thickly braided with the same material; the whole finished by
a splendid sable collar and cuffs. Behind the carriage stood a tall
powdered lacquey, dressed in a livery of blue turned up with yellow and
silver; and by his side was a chasseur, whose fierce-looking moustaches,
gaily embroidered dress and hat, half concealed by a waving plume of
blue and yellow feathers, completed a most imposing _coup-d'oeil_.
Public-domain text, read in full here on John Shaqi.
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