The Mysteries of Paris, illustrated with etchings, Vol. 1Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 1
Sue, Eugène
Paris (France) -- Fiction
Hope recalled his expiring strength, and, making one powerful effort,
Rodolph was able to distinguish the following words, after which all
consciousness forsook him:
"Did I not tell you so? There, you see there is no one here!"
"Deuce take it! no more there is," replied the voice of the Chourineur,
in a tone of vexation and disappointment. And the sounds died away.
Rodolph, utterly exhausted, had no longer power to sustain himself; his
limbs sunk from under him, and he slid unresistingly down the stone
steps.
All at once the door of the vault was abruptly opened from the other
side, and the swelling masses contained in the inner vault, glad to find
a further outlet, rushed onwards as though bursting through the gates of
a sluice, and the Chourineur, whose opportune return shall be accounted
for by and by, seized the two arms of Rodolph, who, half dead, had
mechanically clung to the threshold of the door, and bore him from the
black and rushing waters which had nigh proved his grave.
CHAPTER XVI.
THE SICK-NURSE.
Snatched by the Chourineur from a certain death, and removed to the
house in the Allée des Veuves which had been reconnoitred by the
Chouette, previously to the attempt on it by the Schoolmaster, Rodolph
was placed in bed, in a comfortably furnished apartment; a cheerful fire
was burning on the hearth. A lamp, placed on a neighbouring table,
diffused a strong, clear light; while the bed of Rodolph, shaded by
thick curtains of green damask, remained protected from the glare, and
in the shadow of its deep recess.
A negro of middle stature, with white hair and eyebrows, wearing an
orange and green riband at the buttonhole of his blue coat, sat by the
bedside, holding in his right hand a seconds' watch, which he appeared
to consult while counting with his left the beating of Rodolph's pulse.
The expression of the negro's countenance was at once sad and pensive,
and he continued from time to time to gaze on the sleeping man with the
most tender solicitude.
The Chourineur, clad in rags and soiled with mud, stood motionless, with
folded arms, at the foot of the bed; his red beard was long and matted,
in disorder; his thick, bushy hair was tangled with mud and wet, which
still dripped from it; while his hard, bronzed features were marked by
the most profound pity for the patient: hardly venturing to breathe lest
the heaving of his huge chest should disturb the invalid, he awaited
with the most intense anxiety the result of the doctor's observations
on the sick man's state; then, as though to while away the fearful
apprehension of an unfavourable opinion, he continued to deliver his
thoughts aloud, after the following manner:
Public-domain text, read in full here on John Shaqi.
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