The Mysteries of Paris, illustrated with etchings, Vol. 2Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 2
Sue, Eugène
Paris (France) -- Fiction
The scene which ensued took place in one of the yards belonging to the
farm, in the presence of all the labourers, both male and female, who
chanced just then to be returning to the house to take their mid-day
meal. Beneath a shed stood a small cart, drawn by a donkey, and
containing the few household possessions of the widow; a boy of about
twelve years of age, aided by two younger children, was beginning to
unload the vehicle. The milk-woman herself was a woman of about forty
years of age, her countenance coarse, masculine, and expressive of
great resolution. She was, as we before stated, attired in the deepest
mourning, and her eyelids looked red and inflamed with recent weeping.
Her first impulse at the sight of the Goualeuse had been terror; but
quickly did that feeling change into grief and rage, while the most
violent anger contracted her features. Rapidly darting towards the
unhappy girl, she seized her by the arm, and, presenting her to the gaze
of the farm servants, she exclaimed:
"Here is a creature who is acquainted with the assassin of my poor
husband! I have seen her more than twenty times speaking to the ruffian
when I was selling my milk at the corner of the Rue de la
Vieille-Draperie; she used to come to buy a ha'porth every morning. She
knows well enough who it was struck the blow that made me a widow, and
my poor children fatherless. 'Birds of a feather flock together,' and
such loose characters as she is are sure to be linked in with thieves
and murderers. Oh, you shall not escape me, you abandoned wretch!" cried
the milk-woman, who had now lashed herself into a perfect fury, and who,
seeing poor Fleur-de-Marie confused and terror-stricken at this sudden
attack, endeavouring to escape from it by flight, grasped her fiercely
by the other arm also. Clara, almost speechless with surprise and alarm
at this outrageous conduct, had been quite incapable of interfering; but
this increased violence on the part of the widow seemed to restore her
to herself, and angrily addressing the woman she said:
"What is the meaning of this improper behaviour? Are you out of your
senses? Has grief turned your brain? Good woman, I pity you! But let us
pass on; you are mistaken."
"Mistaken!" repeated the woman, with a bitter smile. "Me mistaken! No,
no, there is no mistake! Just look at her pale, guilty looks! Hark how
her very teeth rattle in her head! Ah, she knows well enough there is
no mistake! Ah, you may hold your wicked tongue if you like, but
justice will find a way to make you speak. You shall go with me before
the mayor; do you hear? Oh, it is not worth while resisting! I have good
strong wrists; I can hold you. And sooner than you should escape I would
carry you every step of the way."
"You good-for-nothing, insolent woman! How dare you presume to speak in
this way to my dear friend and sister?"
Public-domain text, read in full here on John Shaqi.
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