delicious _chef-d'oeuvre_ in imitation of Benvenuto Cellini, who disdained not to model ewers and armour. Two candelabras, and two candlesticks of vermeil, forming groups of small figures beautifully executed, stood on either side of the timepiece, which was formed of a square block of lapis lazuli raised on a pedestal of Oriental jasper, and surmounted with a large and magnificently enamelled golden cup, richly studded with rubies and pearls, once the property of the Florentine Republic. Several excellent pictures of the Venetian school, of middle size, completed this assemblage of elegance and refined taste. Thanks to a most charming invention but recently introduced, this splendid yet simple apartment was lighted only by the soft rays of a lamp, the unground surface of whose crystal globe was half hid among a mass of real flowers, contained in an immensely large and deep blue and gold Japan cup, suspended from the ceiling like a lustre by three chains of vermeil, around which were entwined the green stalks of several climbing plants; while some of the flexible branches, thickly laden with flowers, overhanging the edge of the cup and hanging gracefully down, formed a waving fringe of fresh verdure, beautifully contrasting with the blue and gold enamel of the purple porcelain. We have been thus precise in these details, trifling as they may seem, in order to give some idea of the exquisite taste possessed by Madame d'Harville (the almost invariable companion of an elevated mind), and also because misfortunes always strike us as more poignantly cruel when they insinuate themselves into abodes like this, the favoured possessors of which seem gifted by Providence with everything to make life happy and enviable. Buried in the downy softness of a large armchair, totally covered by the same straw-coloured Indian silk as formed the rest of the hangings, Clémence d'Harville sat, awaiting the arrival of Rodolph. Her hair was arranged in the most simple manner. She wore a high dress of black velvet, which well displayed the beauty and admirable workmanship of her large collar and cuffs of English lace, which prevented the extreme black of the velvet from contrasting too harshly with the dazzling whiteness of her throat and hands.