The Mysteries of Paris, illustrated with etchings, Vol. 2Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 2
Sue, Eugène
Paris (France) -- Fiction
Rigolette was scarcely eighteen years of age, of middle height, rather
small than large, but so gracefully formed, so admirably proportioned,
so delightfully filled out, so entirely in accordance with her step,
which was light and easy, that she seemed perfect of her kind. The
movement of her finely formed feet, always encased in well-made boots of
black cloth, with a rather thick sole, reminded you of the quick,
pretty, and cautious tread of the quail or wagtail. She did not seem to
walk, but to pass over the pavement as if she were gliding over the
surface. This step, so peculiar to grisettes, at once nimble,
attractive, and as if somewhat alarmed, may doubtless be attributed to
three causes: their desire to be thought pretty, their fear of being
mistaken for what they are not, and to the desire they always have not
to lose a minute in their peregrinations.
Rodolph had not seen Rigolette but by the dim light of Morel's garret,
or on the landing-place, equally obscure, and he was therefore really
struck by the bright and fresh countenance of the young girl when he
softly entered her apartment, which was lighted up by two large windows.
He remained motionless for a moment, in admiration of the striking
picture before his eyes. Standing in front of a glass placed over her
mantelpiece, Rigolette was tying under her chin the ribands of a small
cap of bordered tulle, ornamented with a light trimming of
cherry-coloured riband. The cap, which fitted tightly, was placed at the
back of her head, and thus revealed two large and thick bandeaux of
glossy hair, shining like jet, and falling very low in front. Her
eyebrows, fine and well defined, seemed as if traced in ink, and curved
above two large black, piercing, and intelligent eyes; her firm and
velvety cheeks were suffused with the rosy hue of health, fresh to the
eye, fresh to the touch, like a ripe peach covered with the dew of dawn;
her small, upturned, attractive, and saucy nose, would have been a
fortune to any Lisette or Marton; her mouth, which was rather large, had
rosy and moist lips, small, white, close, and pearly teeth, and was
laughter-loving and sportive; three charming dimples, which gave a
characteristic grace to her features, were placed, two in her cheeks,
and the other in her chin, close to a beauty-spot, a small ebony speck,
which was most killingly situated at the corner of her mouth. Between a
worked collar, which fell very low, and the border of the little cap,
gathered in by a cherry-coloured riband, was seen a forest of beautiful
hair, so accurately twisted and turned up that their roots were seen as
clearly and as black as if they had been painted on the ivory of that
lovely neck. A plum-coloured merino gown, with a plain back and close
sleeves, made skilfully by Rigolette, covered a figure so small and
slender that the young girl never wore a corset,--for economy's sake. An
ease and unusual freedom in the smallest action of the shoulders and
Public-domain text, read in full here on John Shaqi.
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