The Mysteries of Paris, illustrated with etchings, Vol. 2Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 2
Sue, Eugène
Paris (France) -- Fiction
Rodolph was thus reflecting, when, looking mechanically at the door, he
saw there a large bolt,--a bolt which would not have been out of place
on the door of a prison. This bolt made him reflect. It might have two
meanings, two very distinct uses: to close the door on the lover within;
to close the door on the lover without. Rodolph was aroused from his
reflections by Rigolette, who, turning her head, saw him, and, without
changing her attitude, said to him:
"What, neighbour, are you there?" Then the well-formed ankle instantly
disappeared beneath the ample skirt of the plum-coloured gown, and
Rigolette added, "Ah, Mr. Cunning!"
"I was here admiring in silence."
"Admiring what, neighbour?"
"This pretty little room; for, neighbour, you are lodged like a queen."
"Why, you must know that is my enjoyment. I never go out, and so I can
do no less than make my home comfortable."
"But really I never saw anything half so nice. What pretty curtains! and
the drawers as handsome as mahogany! You must have spent a great deal of
money here."
"Oh, don't mention it! I had, of my own, four hundred and twenty-five
francs when I left the prison, and almost all has been spent."
"When you left the prison!--you?"
"Yes, but it is a very long story. Of course, you do not suppose that I
was in prison for anything wrong?"
"Of course not; but how was it?"
"After the cholera, I was quite alone in the world. I was then, I think,
ten years of age."
"But who had taken care of you till then?"
"Ah, some excellent people! But they died of the cholera;" here
Rigolette's large eyes became moistened. "They had sold the little they
possessed to pay their small debts, and I remained without having any
one who would take care of me. Not knowing what to do, I went to the
guard-house, opposite to our house, and said to the sentinel: 'Sir, my
relations are dead, and I do not know where to go to; what must I do?'
Then the officer came, and he took me to the commissary, who put me in
prison as a vagabond, and I did not go out until I was sixteen years
old."
"But your relations?"
"I do not know who my father was, and I was six years old when I lost my
mother, who had recovered me from the Enfants Trouvés (Foundling
Hospital), where she had been compelled at first to place me. The kind
people of whom I spoke to you lived in our house; they had no children,
and, seeing me an orphan, they took care of me."
"And what were they? What was their business or pursuit?"
"Papa Crétu, so I always called him, was a house-painter, and his wife
worked at her needle."
"Then they were pretty well off?"
Public-domain text, read in full here on John Shaqi.
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