The Mysteries of Paris, illustrated with etchings, Vol. 2Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 2
Sue, Eugène
Paris (France) -- Fiction
"Oh, he used to call a little box so, in which he put his collection of
new songs; for he bought all the new ones, and knew them every one.
When, then, there was nothing but bread in the house, he used to take an
old cookery book from his library, and say to us, 'Well, now, let us
see, what shall we eat to-day? This, or that?' And then he used to read
out a long list of good things. Each of us chose a dish, and then Papa
Crétu took an empty saucepan, and, with the funniest airs and gestures
in the world, pretended to put into the saucepan all the ingredients
requisite for making a capital stew; and then he used to pretend to pour
it all out into a dish--also empty--which he placed on the table, with
still the same drolleries, which almost split our sides. Then he took up
his book again, and, whilst he was reading to us, for instance, the
recipe of a good fricassée of chicken, which we had chosen, and which
made our mouths water, we ate our bread, all laughing like so many mad
people."
"And, in this happy household, were there any debts to trouble them?"
"None whatever. So long as the money lasted, they ate, drank, and made
merry, and, when it was all gone, they lived upon 'make believe,' as
before."
"And did they never think of the future?"
"Oh, yes, they thought of it, of course; but what is the future to such
as we? Present and future are like Sunday and Monday; the one we spend
gaily and happily outside the barriers, the other is got over in the
faubourgs."
"And why, since this couple seemed so well assorted, did they never
marry?"
"A friend of theirs once put that very question in my presence."
"Well, and what did they say?"
"'Oh,' said they, 'if ever we have any children, it may be all very well
to marry, but as far as we are concerned, we do very well as we are. And
why should we make an obligation of that which we now perform willingly?
Besides, getting married costs money, and we have none to spare in
unnecessary expenses.' But, my goodness," added Rigolette, "how I am
running on. But, really, when once I begin to talk of these kind people,
who were so good to me, I never know when to leave off. Here,
neighbour, will you give me my shawl off the bed, and put it nicely over
my shoulders, then pin it underneath the collar of my habit-shirt with
this large pin, and then we will set off, for it will take us some time
to select the different things you wish to buy for the poor Morels."
Rodolph readily obeyed the directions of Rigolette. First he took from
the bed a large plaid shawl, which he placed with all imaginable care on
the well-formed shoulders of Rigolette.
"That will do, neighbour. Now, lift up my collar, and press the shawl
and dress together; then stick in the pin; but pray try not to prick me
with it."
The prince executed the orders given with zealous accuracy; then
observed, smilingly, to the grisette:
"Ah, Mlle. Rigolette, I should not like to be your _femme de chambre_;
there is danger in it!"
Public-domain text, read in full here on John Shaqi.
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