The Mysteries of Paris, illustrated with etchings, Vol. 2Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 2
Sue, Eugène
Paris (France) -- Fiction
He was again in Rodolph's house in the Allée des Veuves. The saloon in
which the miscreant had received his appalling punishment had not
undergone any alteration. Rodolph himself was sitting at the table on
which were the Schoolmaster's papers and the little _Saint-Esprit_ of
_lapis_ which he had given to the Chouette. Rodolph's countenance was
grave and sad. On his right the negro David was standing motionless and
silent; on his left was the Chourineur, who looked on with a bewildered
mien. In his dream the Schoolmaster was no longer blind, but saw through
a medium of clear blood, which filled the cavities of his eyeballs. All
and everything seemed to him tinted with red. As birds of prey hover on
motionless wing above the head of the victim which they fascinate before
they devour, so a monstrous screech-owl (_chouette_), having for its
head the hideous visage of the one-eyed hag, soared over the
Schoolmaster, keeping fixed on him her round, glaring, and green eye.
This fixed stare was upon his breast like a heavy weight. The
Schoolmaster discerned a vast lake of blood separating him from the
table at which Rodolph was seated. Then this inflexible judge, as well
as the Chourineur and the negro, grew and grew, expanding into colossal
proportions, until they touched the ceiling; and then it also became
higher in proportion. The lake of blood was calm, and as unruffled as a
red mirror; the Schoolmaster saw his hideous countenance reflected
therein. Then that was suddenly effaced by the tumult of the swelling
waves. From their troubled surface there arose a vapour resembling the
foul exhalation of a marsh, a livid-coloured mist of that violet hue
peculiar to the lips of the dead. In proportion as this miasma
rises--rises, the faces of Rodolph, the Chourineur, and the negro
continue to expand and expand in an extraordinary manner, and always
remain above this fearful cloud. In the midst of the awful vapour, the
Schoolmaster sees the pale ghosts, and those murderous scenes in which
he had been the actor. In this fantastic mirage he first sees a little
bald-headed old man, clad in a long brown coat, and wearing an eye-shade
of green silk. He is employing himself in a dilapidated chamber in
counting and arranging pieces of gold into piles by the light of a lamp.
Through the window, lighted by the dim moonlight reflected on the tops
of some high trees waving in the wind, the Schoolmaster recognises his
own figure. Pressing his distorted features against the glass, following
every motion of the old man with glaring eyes, then breaking a pane, he
opens the window itself, leaps with a bound upon his victim, and stabs
him between the shoulders with his long and keen knife. The movement is
so rapid, the blow so quick and sure, that the dead body of the old man
remains seated in the chair.
The murderer tries to withdraw his weapon from the dead body,--he
cannot! He redoubles his efforts,--in vain! He then seeks to quit the
deadly steel,--impossible!
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