The Mysteries of Paris, illustrated with etchings, Vol. 2Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 2
Sue, Eugène
Paris (France) -- Fiction
A second time submerged the woman is fast suffocating, and makes one
more desperate effort for breath; but, instead of air, it is water which
she inspires. Then her head falls back, her convulsed features are
swollen and become livid, her neck becomes blue and tumefied, her arms
stiffen, and, in a last spasmodic effort, the drowning woman in her
agony moves her feet, which are resting on the vase. Then she is
surrounded by a mass of black soil, which ascends with her to the
surface of the water. Scarcely has the choked wretch breathed her last
sigh than she is covered with myriads of the microscopic reptiles,--the
greedy and horrible vermin of the mud. The carcass floats for a moment,
balances for a moment, and then sinks slowly, horizontally, the feet
lower than the head, and between the double waters begins to follow the
current of the land. Sometimes the dead corpse turns, and its pale face
is before the Schoolmaster. Then the spectre fixes on him glaringly its
two blue, glassy, and opaque eyes; the livid mouth opens. The
Schoolmaster is far away from the drowning woman, and yet her lips
murmur in his ears, "Glou! glou! glou!" accompanying these appalling
syllables with that singular noise which a bottle thrust into the water
makes when filling itself.
The screech-owl repeats, "Glou! glou! glou!" flapping her wings, and
shrieking:
"The woman of the Canal St. Martin! Murder! murder! murder!"
The vision of the drowned woman disappears. The lake of blood, through
which the Schoolmaster still constantly beholds Rodolph, becomes of a
bronzed, black colour, then red again, and then changes instantaneously
into a liquid, furnace-like, molten metal. Then that lake of fire
rises--rises--rises towards the sky like an immense whirlpool. There is
now a fiery horizon like iron at a white heat. This immense, boundless
horizon dazzles and scorches the very eyes of the Schoolmaster, who,
fascinated, fastened to the spot, cannot turn away his gaze. Then, at
the bottom of this burning lava, whose reflection seems to consume him,
he sees pass and repass, one by one, the black and giant spectres of his
victims.
"The magic-lanthorn of remorse! remorse! remorse!" shrieks the
night-bird, flapping her hideous wings, and laughing mockingly.
Public-domain text, read in full here on John Shaqi.
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