The Mysteries of Paris, illustrated with etchings, Vol. 3Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 3
Sue, Eugène
Paris (France) -- Fiction
The state annually expends many millions for the sterile punishment of
crimes. With this enormous sum it keeps prisoners and gaolers,
galley-slaves and galley-sergeants, scaffolds and executioners. This is
necessary? Agreed. But how much does the state disburse for the rewards
(so salutary, so fruitful) for honest men? Nothing. And this is not all,
as we shall demonstrate when the course of this recital shall conduct us
to the state prison; how many artisans of irreproachable honesty would
attain the summit of their wishes if they were assured of enjoying one
day the bodily comforts of prisoners, always certain of good food, good
bed, and good shelter? And yet, in the name of their dignity, as honest
men, long and painfully tried, have they not a right to claim the same
care and comforts as criminals,--such, for instance, as Morel, the
lapidary, who had toiled for twenty years, industrious, honest, and
resigned, in the midst of bitter misery and sore temptations? Do not
such men deserve sufficiently well of society, that society should try
and find them out, and if not recompense them, for the honour of
humanity, at least support them in the painful and difficult path which
they tread so courageously? Is the man of worth so modest that he finds
greater security than the thief or assassin? and are not these always
detected by criminal justice? Alas, it is a utopia, but it is consoling!
Suppose, for the moment, a society were so organised that it would hold
an assizes of virtue, as we have assizes of crime,--a public ministry
pointing out noble actions, disclosing them to the view of all, as we
now denounce crimes to the avenging power of the laws. We will give two
instances--two justices--and let our readers say which is most fruitful
in instruction, in consequences, in positive results. One man has killed
another, for the purpose of robbing him; at break of day they stealthily
erect the guillotine in an obscure corner of Paris and cut off the
assassin's head before the dregs of the populace, which laughs at the
judge, the sufferer, and the executioner. This is the last resort of
society. This is the chastisement she bestows on the greatest crime
which can be committed against her. This is the most terrible, the most
wholesome warning she can give to her population,--the only one, for
there is no counterpoise to this keen axe, dripping with blood; no,
society has no spectacle, mild and benevolent, to oppose to this
funereal scene.
Let us go on with our utopia. Would it not be otherwise if almost every
day the people had before their eyes some illustrious virtues greatly
glorified and substantially rewarded by the state? Would it not be to
encourage good continually, if we often saw an august, imposing, and
venerable tribunal summon before it, in presence of an immense
multitude, a poor and honest artisan, whose long, intelligent, and
enduring life should be described, whilst he was thus addressed:
Public-domain text, read in full here on John Shaqi.
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