The Mysteries of Paris, illustrated with etchings, Vol. 3Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 3
Sue, Eugène
Paris (France) -- Fiction
To this appearance, or rather reality, M. Ferrand attached great
importance. In the eyes of the vulgar, carelessness about comfort almost
always passes for disinterestedness; dirt, for austerity. Comparing the
vast financial luxury of some notaries, or the costly toilets of their
wives, to the dull abode of M. Ferrand, so opposed to elegance, expense,
or splendour, clients felt a sort of respect for, or rather blind
confidence in, a man who, according to his large practice and the
fortune attributed to him, could say, like many of his professional
brethren, my carriage, my evening party, my country-house, my box at
the opera, etc. But, far from this, Jacques Ferrand lived with rigid
economy; and thus deposits, investments, powers of attorney, in fact,
all matters of trust and business requiring the most scrupulous and
recognised integrity, accumulated in his hands.
Living thus meanly as he did, the notary lived in the way he liked. He
detested the world, show, dearly purchased pleasures; and, even had it
been otherwise, he would unhesitatingly have sacrificed his dearest
inclinations to the appearances which he found it so profitable to
assume.
A word or two on the character of the man. He was one of the children of
the large family of misers. Misers are generally exhibited in a
ridiculous and whimsical light; the worst do not go beyond egotism or
harshness. The greater portion increase their fortune by continually
investing; some (they are but few) lend at thirty per cent.; the most
decided hardly venture any risk with their means; but it is almost an
unheard-of thing for a miser to proceed to crime, even murder, in the
acquisition of fresh wealth.
That is easily accounted for; avarice is especially a negative passion.
The miser, in his incessant calculations, thinks more of becoming richer
by not disbursing; in tightening around him, more and more, the limits
of strict necessity, than he does of enriching himself at the cost of
another; he is especially the martyr to preservation. Weak, timid,
cunning, distrustful, and, above all, prudent and circumspect, never
offensive, indifferent to the ills of his neighbour,--the miser at least
never alludes to these ills,--he is, before all and above all, the man
of certainty and surety; or, rather, he is only a miser because he
believes only in the substantial, the hard gold which he has locked up
in his chest. Speculations and loans, on even undoubted security, tempt
him but little, for, how improbable soever it may be, they always offer
a chance of loss, and he prefers rather to lose the interest of his
money than expose his capital. A man so timorous will, therefore, seldom
have the savage energy of the wretch who risks the galleys or his neck
to lay hands on the wealth of another.
Public-domain text, read in full here on John Shaqi.
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