The Mysteries of Paris, illustrated with etchings, Vol. 4Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 4
Sue, Eugène
Paris (France) -- Fiction
Thus do we explain Fleur-de-Marie's dejection. Although she was every
instant awaiting, according to Madame d'Harville's promise, her release
from St. Lazare, Fleur-de-Marie, melancholy and pensive, was seated on
her bench near the basin, looking with a kind of mechanical interest at
the sports of some bold little birds who came to play on the margin of
the stone-work. She had ceased for an instant to work at a baby's
nightgown, which she had just finished hemming. Need we say that this
nightgown belonged to the lying-in clothes so generously offered to Mont
Saint-Jean by the prisoners, through the kind intervention of
Fleur-de-Marie? The poor misshapen protegee of La Goualeuse was sitting
at her feet, working at a small cap, and, from time to time, casting at
her benefactress a look at once grateful, timid, and confiding, such a
look as a dog throws at his master. The beauty, attraction, and
delicious sweetness of Fleur-de-Marie had inspired this fallen creature
with sentiments of the most profound respect.
There is always something holy and great in the aspirations of a heart,
which, although degraded, yet feels for the first time sensations of
gratitude; and, up to this time, no one had ever given Mont Saint-Jean
the opportunity of even testifying whether or not she could comprehend
the religious ardour of a sentiment so wholly unknown to her. After some
moments Fleur-de-Marie shuddered slightly, wiped a tear from her eyes,
and resumed her sewing with much activity.
"You will not then leave off your work even during the time for rest, my
good angel?" said Mont Saint-Jean to La Goualeuse.
"I have not given you any money towards buying your lying-in clothes,
and I must therefore furnish my part with my own work," replied the
young girl.
"Your part! Why, but for you, instead of this good white linen, this
nice warm wrapper for my child, I should have nothing but the rags they
dragged in the mud of the yard. I am very grateful to my companions who
have been so very kind to me; that's quite true! But you!--ah, you!--how
can I tell you all I feel?" added the poor creature, hesitating, and
greatly embarrassed how to express her thought. "There," she said,
"there is the sun, is it not? That is the sun?"
"Yes, Mont Saint-Jean; I am attending to you," replied Fleur-de-Marie,
stooping her lovely face towards the hideous countenance of her
companion.
"Ah, you'll laugh at me," she replied, sorrowfully. "I want to say
something, and I do not know how."
"Oh, yes, say it, Mont Saint-Jean!"
"How kind you look always," said the prisoner, looking at
Fleur-de-Marie in a sort of ecstasy; "your eyes encourage me,--those
kind eyes! Well, then, I will try and say what I wish: There is the sun,
is it not? It is so warm, it lights up the prison, it is very pleasant
to see and feel, isn't it?"
"Certainly."
"But I have an idea,--the sun didn't make itself, and if we are grateful
to it, why, there is greater reason still why--"
Public-domain text, read in full here on John Shaqi.
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