The Mysteries of Paris, illustrated with etchings, Vol. 4Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 4
Sue, Eugène
Paris (France) -- Fiction
Jacques Ferrand had quickly and readily obtained the liberty of
Fleur-de-Marie, which, indeed, only required a simple official order.
Instructed by the Chouette of La Goualeuse being at St. Lazare, he had
immediately applied to one of his clients, an honourable and influential
man, saying that a young female who had once erred, but afterwards
sincerely repented, being now confined in St. Lazare, was in danger of
forgetting her good resolutions, in consequence of her association with
the other prisoners. This young girl having been (added the notary)
strongly recommended to him by persons of high respectability, who
wanted to take care of her when she quitted the prison, he besought his
client, in the name of religion, virtue, and the future return to
goodness of the poor girl, to interest himself in obtaining her
liberation. And, further to screen himself from all chance of future
consequences, the notary most earnestly charged his client not to allow
his name to transpire in the business on any account, as he was desirous
of avoiding any mention of having been employed in the furtherance of so
good and charitable a work.
This request, which was attributed to the unassuming modesty and
benevolence of Jacques Ferrand, a man equally esteemed for his piety as
for honour and probity, was strictly complied with, the liberation of
Fleur-de-Marie being asked and obtained in the client's name alone; and
by way of evincing a still greater regard for the shrinking delicacy of
the notary's nature, the order for quitting the prison was sent under
cover to Jacques Ferrand, that he might send it on to the parties
interesting themselves for the young girl. And when Madame Seraphin
presented the order to the directors of the prison, she stated herself
to have been sent by the parties feeling a desire to save the young
person it referred to.
From the favourable manner in which the matron of the prison had spoken
to Madame d'Harville of Fleur-de-Marie, not a doubt existed as to its
being to that lady La Goualeuse was indebted for her return to freedom.
There was, therefore, no chance of the appearance of Madame Seraphin
exciting any mistrust in the mind of her victim. Madame Seraphin could
so well assume the look and manner of what is commonly styled "a nice
motherly kind of person," that it required a more than ordinary share of
penetration to discover a strong proportion of falsehood, deceit, and
cunning behind the smooth glance or the hypocritical smile; but, spite
of the hardened villainy with which she had shared so long and deeply in
the nefarious practices of her employer, Madame Seraphin, old and
hackneyed as she was, could not view without emotion the exquisite
loveliness of the being her own hand had surrendered, even as a child,
to the cruel care of the Chouette, and whom she was now leading to an
inevitable death.
Public-domain text, read in full here on John Shaqi.
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