The Mysteries of Paris, illustrated with etchings, Vol. 5Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 5
Sue, Eugène
Paris (France) -- Fiction
"When he returns be on your guard. But we must wait for Pique-Vinaigre,
without him we can do nothing."
"No?"
"No."
"And Germain shall be done for?"
"I'll take care of that."
"But with what? They have taken all our knives away."
"What do you think of these nippers, would you like to have your neck in
their clutch?" asked the Skeleton, opening his long bony fingers, hard
as iron.
"You'll choke him?"
"Decidedly."
"But if they find out that it is you?"
"Well, what if they do? Am I a calf with two heads, such as they show at
the fair?"
"No, that's true; a man has but one throat, and yours--"
"Is sentenced; my lawyer told me so yesterday. I was taken with my hand
in the bag, and my knife in the weasand of the stiff'un. I'm a 'return
horse,' too; so nothing can be more certain. I'll drop my head into
Charlot's (the headsman's) basket, and I shall see if it's true that he
does his customers, and puts sawdust into his basket instead of the bran
which government allows us."
"True, the guillotine has a right to its bran. Now, I remember my father
was robbed in the same way," said Nicholas Martial, with a ferocious
grin.
This horrid jest created immense laughter amongst the prisoners. This is
fearful, but far from exaggeration; we give but a faint idea of these
conversations, so common in prisons. The prisoners were all laughing
joyously.
"Thousand thunders!" cried the Skeleton. "I wish they who punish us
would come and see how we bear it. If they will come to the Barriere St.
Jacques the day of my benefit they will hear me address the audience in
a neat and appropriate speech, and say to Charlot, in a gentlemanly
tone, 'Pere Sampson, the cord if you please.'"[1]
[1] To understand this horrid jest the English reader must know
that the doors in France are usually opened by the porter, who
sits in his room and pulls a cord to allow the person going out
to have free egress; and the blade of the guillotine glides
down the grooves of the machine, after a spring has been set in
motion, by touching a cord that acts upon it.
Fresh bursts of laughter hailed this jest.
"And then Charlot opens the baker's (the devil's) door," continued the
Skeleton, still smoking his pipe.
"Ah, bah! Is there a devil?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account