Although the features of Germain could not be styled regular, it was scarcely possible to see a more interesting countenance. There was an air of ease and elegance about him, while his slight, graceful figure, plain but neatly arranged dress (consisting of a pair of gray trousers and black frock coat, buttoned up to the chin), formed a striking contrast to the slovenliness and neglect to which the occupants of the prison generally gave themselves up; his white hands and well-trimmed nails evinced an attention to his personal appearance which had still further excited the ill-will of the prisoners against him, for bodily neglect is almost invariably the accompaniment of moral perversion. He wore his long and naturally curling chestnut hair parted on one side of his forehead, according to the fashion of the day, a style that well became his pale and melancholy countenance, and large, clear blue eyes, beaming with truth and candour; his smile, at once sweet and mournful, expressed benevolence of heart, mingled with a habitual dejection, for, though young, the unfortunate youth had already deeply tasted affliction. Nothing could be imagined more touching than the look of suffering impressed on his features, while the gentle and resigned cast of his whole physiognomy was but a fair transcript of the mind within, for a better, purer, or more upright heart could scarcely have beaten in human form. The very cause of his imprisonment (divested of the calumnious aggravations affixed to it by Jacques Ferrand) proved the goodness of his nature, and left him worthy of blame only for suffering himself to be led astray by his feelings to commit an action decidedly wrong, but still excusable if it be remembered that the son of Madame Georges felt perfectly sure of replacing on the following morning the sum temporarily taken from the notary's cash-box, for the purpose of saving Morel the lapidary, from being dragged from his family and confined in a prison. Germain coloured slightly as he perceived, through the grating of the visitor's room, the bright and charming countenance of Rigolette, who strove, as usual, to appear gay, in hopes of encouraging and enlivening her protege a little; but the poor girl was too bad a dissembler to conceal the sorrow and agitation she invariably experienced upon entering the prison. She was seated on a bench at the outside of the grating, holding her straw basket on her lap. Instead of remaining in the adjoining passage, from whence every word could be heard, the old turnkey retired to the stove placed at the very extremity of the visiting-room, closed his eyes, and in a very few seconds was (as his breathing announced) fast asleep, leaving Germain and Rigolette at perfect liberty to converse at their ease.