The Mysteries of Paris, illustrated with etchings, Vol. 6Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 6
Sue, Eugène
Paris (France) -- Fiction
"You shall hear. She had requested permission to share her daughter's
cell until the final moment arrived; her wish was complied with. Her
daughter, far less hardened than her parent, appeared to feel contrition
as the hour of execution approached, while the diabolical assurance of
the old woman seemed, if possible, to augment. Just now the venerable
chaplain of the prison entered their dungeon to offer to them the
consolations of religion. The daughter was about to accept them, when
the mother, without for one instant losing her coolness or frigid
self-possession, began to assail the chaplain with such insulting and
derisive language that the venerable priest was compelled to quit the
cell, after trying in vain to induce the violent and unmanageable woman
to listen to one word he said.
"It is a fearful fact connected with this family that a sort of
depravity seems to pervade it. The father was executed, a son is now in
the galleys, a second has only escaped a public and disgraceful end by
flight; while the eldest son and two young children have alone been able
to resist this atmosphere of moral contagion.
"What a singular circumstance connected with this double execution it is
that the day of mid-Lent should have been selected. At seven o'clock
to-morrow, the hour fixed, the streets will be filled with groups of
masqueraders, who, having passed the night at the different balls and
places of entertainment beyond the barriers, will be just returning
home; added to which, at the place of execution, the Barriere St.
Jacques, the noise of the revels still being kept up in honour of the
carnival can be distinctly heard."
* * * * *
The following morning's sun rose bright and cloudless. At four o'clock
in the morning various troops of soldiers surrounded the approaches to
Bicetre.
We shall now return to Calabash and her mother in their dungeon.
CHAPTER IX.
THE TOILET.
The condemned cell of Bicetre was situated at the end of a gloomy
passage, into which a trifling portion of light and air was admitted by
means of small gratings let into the lower part of the wall. The cell
itself would have been wholly dark but for a kind of wicket, let into
the upper part of the door, which opened into the corridor before
mentioned.
In this wretched dungeon, whose crumbling ceiling, damp, mouldy walls,
and stone-paved floor struck a death-chill like that of the grave, were
confined the Widow Martial, and her daughter Calabash.
The harsh, angular features of the widow stood out amidst the imperfect
light of the place, cold, pale, and immovable as those of a marble
statue. Deprived of the use of her hands, which were fastened beneath
her black dress by the strait-waistcoat of the prison, formed of coarse
gray cloth and tightly secured behind her, she requested her cap might
be taken off, complaining of an oppression and burning sensation in her
head; this done, a mass of long, grizzled hair fell over her shoulders.
Public-domain text, read in full here on John Shaqi.
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