The last man to fill the post of ariki with its original dignity was Ngaara; he died shortly before the Peruvian raid, and becomes a very real personage to anyone inquiring into the history of the island. He was short, and very stout, with white skin, as had all his family, but so heavily tattooed as to look black. He wore feather hats of various descriptions, and was hung round both back and front with little wooden ornaments, which jingled as he walked. When our authorities can remember him his wife was dead and he lived with his son Kaimokoi. It was not permitted to see them eat, and no one but the servants was allowed to enter the house. His headquarters were at Anakena, the cove on the island where, according to tradition, the first canoe landed. It is unique in having a sandy shore, and is surrounded by an amphitheatre of low hills. Behind it to the west rises the high central ground of the island, beyond it, on the other side, is the eastern plain; it thus approximately terminates the strip of land held by the Miru (fig. 97). There are now at Anakena the remains of six ahu, a few statues, and the foundations of various houses. Ngaara held official position for the whole island, but he was neither a leader in war, nor the fount of justice, nor even a priest; he can best be described as the custodian of certain customs and traditions. The act most nearly approaching a religious ceremony was conducted under his auspices, though not by him personally. In time of drought he sent up a younger son and other ariki-paka to a hill-top to pray for rain: they were painted on one side red, on the other black with a stripe down the centre. These prayers were addressed to Hiro, said to be the god of the sky, a supernatural being in whom we seem getting nearer the idea of a divinity, as distinct from a spirit of the dead, and of whom we would gladly have learnt more than could be discovered. The ariki-paka had other duties besides praying for rain; they made “maru,” or strings of white feathers tied on to sticks, which they placed among the yams to make them grow. They buried a certain small fish among the sugar-canes to bring up the plants, and when a koro was being held, and it was consequently particularly desirable that the fowls should thrive, an ariki-paka painted a design in red, known as the “rei-miro,” below the door of the chicken-house (fig. 115). Te Haha, the “social success,” who was an ariki-paka in the entourage of Ngaara, gave graphic descriptions of life at Anakena when he was a boy. If, he said, people wanted chickens, they applied to the Ariki-mau, who sent him with maru, and his visits were always attended with satisfactory results.