The mystery of Easter island: the story of an expeditionRoutledge, Katherine
History
The mystery of Easter island: the story of an expedition
Routledge, Katherine
Easter Island; Oceania -- Description and travel; Voyages and travels
No detailed systematic study of the tablets has as yet been possible
from the point of view of the Expedition, but it seems at present
probable that the system was one of memory, and that the signs were
simply aids to recollection, or for keeping count like the beads of a
rosary. To what extent the figures were used at will, or how far each
was associated with a definite idea it is impossible to say. Possibly
there was no unvarying method; certain ones may conveniently have been
kept for an ever-recurrent factor, as the host in the tau, and in
well-known documents, such as “he timo te ako-ako,” they would doubtless
be reproduced in orthodox succession. But in the tablets which we
possess the same figures are continually repeated, and the fact that
equivalents were always having to be found for new names, as in that of
the fish-man, or ika, suggest that they may have been largely selected
by the expert haphazard from a known number. As Tomenika said, “the
words were new, but the letters were old,” or to quote Kapiera to the
same effect, they were “the same picture, but other words.” It will be
noted how few men are reported to have known each variety of
rongo-rongo, and that while Ngaara looked at the tablets of the boys,
apparently to see if they were properly cut, it was in the recitation
only of the older men that accuracy was insisted on. The names which
Bishop Jaussen’s informant assigned to some five hundred figures may or
may not be accurate, but whether the native or anyone else could have
stated what the signs conveyed is another matter. It is easy to give the
term for a knot in a pocket-handkerchief, but no one save the owner can
say whether he wishes to remember to pay his life insurance or the date
of a tea-party.
In trying to enter into the state of society and of mind which evolved
the tablets there are two points worth noticing. Firstly, the Islanders
are distinctly clever with their hands and fond of representing forms.
Setting aside the large images, the carving of the small wooden ones is
very good, and the accuracy of the tablet designs is wonderful. Then
they have real enjoyment in reciting categories of words; for example,
in recounting folk-tales, opportunity was always gleefully taken of any
mention of feasting to go through the whole of the food products of the
island. In the same way, if a hero went from one locality to another,
the name of every place _en route_ would be rolled out without any
further object than the mere pleasure of giving a string of names. This
form of recitation appears to affect them æsthetically, and the mere
continuation of sound to be a pleasure. Given, therefore, that it was
desired to remember lists of words, whether categories of names or
correct forms of prayer, the repetition would be a labour of love, and
to draw figures as aids to recollection would be very natural.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account