There yet remain to be mentioned two English emblem writers. A "Choice
of Emblems" by Geffrey Whitney was published in 1586 by Francis
Raphelengius in the house of Christopher Plantin at Leyden. The
dedication is to Robert Earle of Leicester. There are only from fifteen
to twenty original designs out of 166 illustrations. The remainder are
taken from other emblem writers, chiefly from Alciat, Sambucus, Paradin,
and Hadrian Junius. On page 53 is the design headed "In dies meliora"
found in the 1577 edition of Alciat, but the letterpress, which is in
English, is quite different from the Latin verse attached to it in the
Alciat.
The "Minerva Britanna" of Henry Peacham was published in 1612. The
emblem on the title-page[47] represents the great secret of Francis
Bacon's life, and on page ·33 is an emblem in which the name Shakespeare
is represented. The volume is full of devices which will amply repay a
careful study.
Apart from any connection which Bacon may have had with this remarkable
class of books, they are of great interest to the student of the
Elizabethan and Jacobean periods. They contain pictorial representations
full of information as to the habits and customs of the people. With the
exception of Whitney's "Choice of Emblems," a facsimile reprint of which
was published in 1866, edited by the Rev. Henry Green, no reprint of any
of these curious books has been issued. As the original editions of many
of them are very rare, and of none of them plentiful, their study is a
matter of difficulty, and few students find their way to this
fascinating field of research. How close Bacon's connection was with the
writers of these books, or with their publishers, it is difficult to
say, but there is considerable evidence that in some way he was able to
introduce into every one of the books here enumerated, and many others,
some plates illustrative of his inductive philosophy.
FOOTNOTES:
[46] Bernard Quaritch, 1905.
[47] See page 105.
CHAPTER XX.
SHAKESPEARE'S SONNETS.
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