The Mystery of M. FelixFarjeon, B. L. (Benjamin Leopold)
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The Mystery of M. Felix
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; English fiction -- 19th century
chance; he resolves to disappear, and so put his enemies off the
scent. Now, follow me. Sophy is below in bed. She hears a noise in the
upper part of the house; the brave girl creeps up-stairs from the
basement as M. Felix creeps down-stairs from his apartments. He dare
not betray himself. He seizes her, disguises his voice, and works upon
her fears. Exit M. Felix; for as long or as short a time as he
pleases, he is dead to the world. It is a wonder he does not take his
revolver with him, but that is an oversight. In such a crisis one
cannot think of everything. It may happen--for there is work for us to
do, Agnold--that this oversight will work in our favor. I do not
despair of tracing the revolver, and you did a good stroke when you
wrote down such a description of the weapon as will enable you to
identify it. There is no room for doubt that the man who presented
himself to Mrs. Middlemore as a police official, and who sent her on a
false errand to Bow Street Police Station, was Peterssen. Alone in M.
Felix's room he appropriates the revolver; other things as well,
perhaps; but of the revolver we are morally convinced. What is his
object in going there? I will tell you. He has doubts of M. Felix's
death; he believes it to be a trick, and he thinks he may find
something in M. Felix's room which will put him on the track of the
man who had slipped out of his power. Reasoning the mystery out in
this open way is very satisfactory, Agnold. Mists disappear; we see
the light. How does it strike you?"
"You have convinced me, Bob," I said. "We will pursue the matter a
little further. M. Felix is a man who is fond of pleasures which can
be purchased only with money. Do you think he would voluntarily
deprive himself of the means of obtaining it--for this is what his
disappearance would lead him to, so long as he chose to conceal
himself.
Public-domain text, read in full here on John Shaqi.
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