Kirkcaldy, whose signature is given, could not have adapted fingers hardened by the sword-hilt to a lady’s Roman hand. Maitland of Lethington, whose signature follows Kirkcaldy’s, would have found the task less impossible, and, if there is any truth in Camden’s anecdote, may perhaps have been able to imitate the Queen’s writing. But if any forged letters or portions of letters were exhibited, some unheard-of underling is most likely to have been the actual culprit. [Illustration: PLATE C HANDS OF MARY BEATON, KIRKCALDY, LETHINGTON, AND MARY FLEMING] XVIII _LATER HISTORY OF CASKET AND LETTERS_ The best official description of the famous Casket is in the Minutes of the Session of Commissioners at Westminster, on December 7, 1568. It was ‘a small gilt coffer, not fully one foot long, being garnished in many places with the Roman (_Italic_) letter F set under a king’s crown.’ This minute is in the hand of Cecil’s clerk, and is corrected by Cecil.[397] The Casket was obviously long in shape, not square, like a coffer decorated with Mary’s arms, as Dowager of France, with thistles and other badges, the property of M. Victor Luzarche, and described by him in ‘Un Coffret de Bijoux de Marie Stuart’ (Tours, 1868). Possibly the Casket was the _petite boyte d’argent_, which Mary intended to bequeath to Margaret Carwood, if she herself died in childbed in 1566.[398] The Casket with the Letters was in Morton’s hands till shortly before his death in 1581. On November 8, 1582, Bowes, Elizabeth’s envoy in Scotland, wrote to Walsingham about the Casket. He had learned from a bastard of Morton’s, the Prior (lay) of Pluscarden, that the box was now in the possession of Gowrie, son of the Ruthven of Riccio’s murder, and himself engaged in that deed. Gowrie was at this time master of James’s person. Bowes thought that Gowrie would not easily give up the Casket to Elizabeth, who desired it.[399]